Elena Stepanova

Saved 5/28/19 3:26 PM from Drawing for beginners

How to draw drawing ROSE! Colored Pencils for beginners! Drawing lesson. Master class flower.  See details »

 
Video subtitles:
  • 00:00: welcome you my expensive creative friends today with you we will draw sketchbook is not forget please subscribe to my channel watch novelties and so I have I have a sketchbook today larger format is also moleskine and we with you draw a rose plan in the center leaf circle and in this We outline the circle small oval this is the top bud in general in a rose there is a bud that's more such a dense part in
  • 00:30: center of the rose and blossoming petals we begin always bud which is inside the rose there is yes i drew shape buds a little expansive fixing points bud to the stem and sepals that turn away so I immediately I prepare the composition before I walk the stem of a rose next I delete erase
  • 01:01: those parts that do not this place will be needed she does not will be seen subsequently draw with you bud more carefully rose flower multicomponent complex flower so today I do not want to speed up the video. I will try make out with her as detailed as possible inside the bud part the petals are twisted very very tight very strongly therefore here the alternations light and shadow will be
  • 01:31: sharp further in this bud you limit v-shaped zone with a bottom to a spout pull it that part of the bud which we will see between opening petals more start to schedule petals twisting around bud but already more lush petals roses are large and they twisted spiralingly up to
  • 02:01: find one on other we make a petal one big one embraces this bud from all sides wraps its yes, I'm starting on the left and I drive a petal to the right and he turns away out further as we have spirally are twisted is invested petal in petal i I schedule the following the petal to his left with the edge will be small incision up to I do not really like straight
  • 02:32: perfectly even petals if you want can such small do not do do so much more idealistic rose absolutely without breaks such as small some defects petals further left we planned to go from it to the right we make the second petal which is already It opens and he also embraces a bud we see from him large the unfolded part and quite a bit
  • 03:03: see the internal the part that goes away deep transmit the depth in linear drawings it is very difficult that we let's get busy when we tint color pencils further I plan Absolutely not drawing back petal why now gently I draw not brightly I draw with you subsequently pencil is required
  • 03:33: we will delete therefore if you draw a sketch here is a sketch in pencil simple please do not push hard at paper trace therefore will remain pencils will be work hard further I schedule the following petal it already quite open all the petals roses have a complex structure it concave in the middle and arched from the edges I'm trying to you show this line bent to such a
  • 04:03: curved exactly like goes by itself the shape of the petal imagine what it is sink yes here shells which we are all wash and and standard form a semicircular bowl and bent edges this way we schedule petals me for the transfer cup-shaped the petal is very helps arc the arc which goes inside bring the petal in such a semicircle she it does not concern she sets the edges
  • 04:33: the thickness of the part unscrewed not concave but turned out next I I am setting a petal which is open to us it also consists of concave part and curved parts definitely will turn your attention to such complex shapes ahead after the rose We are waiting for irises with a precise the same shape and the petal is concave arched in fact this is one of the most complex forms for transmitting light
  • 05:03: shadows we have a rose it idealistic rose it is fictitious and draw from nature it is I fit in a ball yes that is in the sphere so after that like all the petals I have outlined area around and checking that everything is in my corner sharpened petals I have a rose The curved petals she has sharp ending in the middle that they concern this sphere
  • 05:33: thus you see we got a bud displaced visually to top of the rose yes and petals opening up to us the rose is magnificent rosette tender therefore already spoke do not put pressure on a pencil very gently draw easy draw for this sketch took pencil hb that is it paints very Slightly rose is scheduled let's rest
  • 06:03: parts we will draw from us there is a stem let's look at principle how to fasten roses and its components part we have a certain bud we have a place fixing the flower from which runs sepals that support the lush the petals have a stem stalks have thorns they are located so step by step and from all sides and from spikes sometimes leave leaves usually a rose has three sheets on each we are about
  • 06:35: five centimeters from the alleged fixing points flower plan spike out of it twig on which 3 leaves is look please, how easy it is and completely without crushing on a pencil on simple I plan future elements picture if you work with paper thicker than moleskin then for such a paper more critical not click on the lead
  • 07:06: because even if you will remove the line to there erasers have an elastic band remain depressed lines which are then no tinted with colored pencils such I 'm tinting picture yes you are all yours there are erroneous lines you show them here such an effect there was no need control force pressure on pencil in general in pencil us drawing is one of the most important and complex such
  • 07:37: rules and skills skill that is pressure control also I have a drawing complemented by another buds absolutely, not at all disclosing such starting he too will be pink that is he is as old as he is and I'm ready to go I am planning on the same scheme that is the beginning bud bud part then schedule v-shaped
  • 08:07: v-shaped part which is visible to her and hugs and leaves and petals give here petals in buds completely very small practice please once having mastered here such principle of creation pink flowers that is bud shaped part and then spirally divergent petals you can create Rose of any kind then there is and the paints are sharpened petals with smooth
  • 08:37: petals they are all arranged in Generally one by one type further I have also two green buds that completely not mature that is, they will green without pink parts in sepals support roses there are various kinds of me very much like when on end of these here thin turning away sepals still furry such thickening so I them in the drawing and
  • 09:07: I am drawing your attention my friends If you do not want to spend time on sketching you you can always go to my group vkontakte either in my group in facebook and in daddies sketches for master classes to find this rose is ready print it take advantage master class in sketch to good paper there then transfer and already execute immediately in color also I always in general
  • 09:39: support copy transfer multiple sketches because it does not wasting time on building understood before you den Once you can take more time color training you can run it try to make and bed pencils in watercolors pencils with blurring without washing it is possible make and watercolor we will be today make simple color pencils
  • 10:09: not by watercolors they fairly tough solid and pigment give it to you so Mediocre yes, I took pink color and now we with you toniruem all what will happen in the future We have a shadow and not touch the light at all I took for this bright enough shade and more than that I practically not I click on the pencil practically do not press it is important for the pencil
  • 10:39: since we have on the sheet paper on Our drawing is still is kept simple pencil which we of course in the middle work will remove otherwise we have with you will be so not very clean drawing visually with a large amount of gray colors also try harder not intensively hatch in places where do you have clusters of simple pencil I'm in black rough enough
  • 11:10: I'm doing now pencil shading in I'm not strong sharpened not sharp let's see with you click This is what I call 30 percent to that is 30 percent of pigment which I can receive from this pencil and side by side I did one hundred percent that is 30 percent 60 percent one hundred percent see workout please separately on paper with which force you press on what kind of intensity
  • 11:40: the pigment you get on a piece of paper here now we are with you are working shadow parts with an effort in the third 30 interest therefore feebly weak about stroking but the same time is not quite unnoticed because we are going further erasable gum can be seen that I you are painting shadow shadow color all those parts which limited arc to concave
  • 12:10: parts of petals concavity well, and of course there where I have the bud that leaves in the depths the same the depth of the rose is these parts in the depth they will later the darkest the main thing is for roses there will be bright I will use for only three roses colors are pink peach and red I work with pencils korres These are pencils for
  • 12:40: children's creativity they are solid and hits they are inexpensive and the most successful in order to wear with nature draw or somewhere on a trip is not pretty tough slate are resistant to the effort to scrap there are they here such straight good reliable pencils further I took the peach color and stroke curved parts the petals of those parts
  • 13:10: where they finish here you have it arched petal most black light he will be in the middle here it is in the curved part and in at the end I'm already worked all peach color now for cilia showed his favorite this is the faber-castell form called space or space still met and also no edge very much yes i am
  • 13:40: I try to leave all pink delete everything is simple all simple pencil i neatly I 'm cleaning the rose petals around until I touch green to the leaves I mean and buds they are not erased as see the pencil color is erased less willing than gum believe if you would give 60 percent or one hundred percent pigment it you were generally no longer erased eraser would erase just plain
  • 14:10: pencil in this way look at me now rose happened the planned already very clearly her well seen on the sheet paper with him you can continue to work and at the same time on it there is no simple pencil then means simple pencil removed can work shadows well approximately 60 percent I am now I press on the red color be sure to look sharpener
  • 14:40: I use for study already details of some sharpened especially in center of bud need sharp pointed lead I'm undermining pencils in the process work and we are with you begin to perform rosette from the center with a bud hence here we have we meet with the most insidious of roses alternation of light and shadows in the center of the rose she Pts a sharp contrast that you only have
  • 15:12: ran out of the light immediately the shadow began the shadow ended immediately same sharp start the light is connected with that that you have petals in bud center Twisted tightly and you are so plural alternating edges and shadows but when you have petals are disclosed here gently begins go a smooth gradient Shadows from the center of the rose and smoothly bending light at the ends petals
  • 15:42: it is in my opinion that is, a lot of work scanned in this place most often errors allowed with this flower because once taking the contrast in very many Beginner artists continue to support this contrast is strong and yes on turning away petals what to be of course it can not so we ask a strong
  • 16:12: contrast center here Yes, I'm a shadow directly dialed actively further we we turn to you hatching shady parts along the edges petals here take a look java dashed shadow in the center of the concave part turned away in petal along the edges of the petal with which adjoins it's a shadow and attention to
  • 16:42: create a little edge a box of this smaller petal i I do not trace it with a line a it's mildly you dashed you along him thus it turns out very very soft red color effect this is the color of the shadow color halftone to the main the colors of our family pink that is if you go out in a semitone closer to the light
  • 17:12: use parts please pink color if you deepen in the shade take please red a pencil will enrich it including color solution that is we are in three colors solve this look at the rose please here at this petal I about approximately held the line down to the top of it hollows down here look at this and that's it. so this
  • 17:43: petal is how we do it we see from below a complex petal formula Rose of course without geometry here without concepts of geometry complex objects are too heavy have to repeat try here repeat step by step what am I showing maybe you will succeed grab this complex form I marked the petals Here is this bud here before bottom and continue
  • 18:14: shade petals have a lot of shadows it is necessary to do all the is wherever you have there is a bright edge and under it the petal under it is under this bright edge the shadow is the redest deep down look, I'm starting with a little pressure 30 percent and than go deeper inside The petal is the stronger clicking on the pencil hatch in the middle parts of the petal press quite lightly go inside
  • 18:44: petal inside roses duck her place fastening to the leg push on the pencil stronger thus you will succeed the gradient is very very soft pencils and in general in drawing a pencil color pencils and simple in Generally the same thing the main thing is not to hurry up well, in the end we We are not drawing with you speed is true we are you draw for of obtaining pleasure from draw and not forget please about this until further working through the shadows with
  • 19:16: the other side on the left we are practically all petals worked they stayed with us on the right all the same that is over the shadow begins very smoothly on pencil I click quietly bury down I push more strongly so we here chiaroscuro soft petals soft in buds inside it is tough sharp but in petals
  • 19:46: which we have opened already mildly we work before we even about color part first use pink and only more deeply here to center down these petals we use more intense red hue I'm working on fixing brackets somewhere that's where I have it they peek in sharply here these here the petals are attached each other here if it is not enough where that
  • 20:17: you climbed there with hatching since we are still in full force on pencil is nowhere you can press choose in neatly I'm a rubber I use the nod, too. I like very much but here now she is with me ended up to me acquire the next batch nag but in St. Petersburg my friends are rains again poured here you probably heard in the beginning of the video the noise is our rains so go I already today put off put off
  • 20:47: dubbing sound for this video and postpone no forces and despite for the fact that we rained you are drawing this line gentle rose and noise rain will not hurt us discuss all the subtleties create this flower further we remember that tender stroke to neatly pressed on a pencil control the force pressing as how do you stroke
  • 21:18: the lead is blunted a little when he does not completely stupid but not fresh from the sharpener this is my favorite the state of the lead because in this especially the time bar you know this a smooth do not streak individual and total mass of red in pencil I'm on this moment work finished and I have left inverted parts arched which have
  • 21:48: me while shadows are deprived and these shadows I I make it easy peach shade where do I petals overlap each other friend or away more deep inside flower yes i use peach color he is quite easy on even if very to give a lot of gifts receive from him intensive shade Well it's a lot you you know especially for beginners will
  • 22:18: useful as it is constrains this is the desire color immediately cut into full reel in my look better done five layers than dial tons at once one layer before or two strive to strive please feel free to multilayered when you are drawing similar work they are beautiful in their gentle tone set when gradient the transitions are very very
  • 22:48: smooth they seek naturally multilayered hatching I I study those parts light petals curved parts which leaves me In the shadow of a shadow they go away naturally under a rose and look where petals overlap each other I take a friend and neatly along line to line line overlapping dashes thereby separating
  • 23:19: petal such here branch petal gentle necessary do with all petals then really is the feeling that she right you know falls apart to is revealed because that under each the petal is further 7 on the next petal very beautiful You can create in color pencils but they require time time this work
  • 23:50: I will not accelerate and immediately warn you plan on it not less than an hour, not less than hours of work here without break of such work I I usually take myself sketchbook for a walk when i go on walk with the child and pencils Naturally, too, and about an hour after one and a half intermittent works that is I sometime there distracted by if I should be given to children at
  • 24:21: I can finish completely work of this format so in my opinion colored pencils they ideal for summer drawing if you have there is time admissible on the beach you rest or in a cafe somewhere in the evening sit gouache of course you can not take with you it's true watercolor reluctant to do this need water is constantly changing it must be taken care of there is no paint pour pencils in tube they please
  • 24:52: in the purse lie there does not ask do you have a minute free you got and did several sketches in color pencils perfect perfect format for summer training drawing to the same by summer remembrance in my opinion take shape very very beautiful sketchbook is like this way to color pencils when you do several drawings in succession by the same material in the first place you get used to
  • 25:22: material you know best pencils you more understand how they are behave as shades of you in able to receive color overlay on color yes what shades better complement what worse mixed and your work will become richer and richer so friends my estimate is here directly call you evaluate such a fairytale material children's inexpensive pencils
  • 25:52: for drawing in summer means we are with you worked petals average tone shadow to pink then cleaned the contour then deepened the shadows then worked small lungs halftones in light peach pencil and gradually look our the rose begins to assemble it becomes more and more and more expressive
  • 26:22: somewhere where to me it is necessary to deepen shadows so look under the petal which on us comes out in deep down I I add and now I I press on the pencil already directly in full strength also to me I want to drown the very cores of so here it is that she deep into the flower went naturally red color to us in this helps and you directly you stroke in and
  • 26:52: The flower is darker and darker further study also in a circle petals like this it's wrapped up this rose yes so you gradually petal behind the petal and from strokes see that you harmoniously it looked and color the florist who you are use yes they Have you repeated everywhere used suppose there is one petal you liked
  • 27:22: the combination there pink peach can be lilac then add please him everywhere actually basic moments create a rose I already I could light you say the more flowers you draw a theme the more you get experience and there at the end you will learn on their own errors and each next rose you will get the volume is not volume that is not forget that if you
  • 27:52: want to emphasize light or edge you have to do it by placing shadows under the light and the edge we work for you is such that we only in white as in gouache for example or in oil and identify light we can only so that we deepen the His shadow is like this Yes, if we want to make highlights on Rosettes more
  • 28:22: sharp more vivid means that we are around the glare must to deepen those this way same principle, I showed in the previous master class on example and seashells shiny purple there we left black do not touch us you are welcome look at all like then it happens like so the flare becomes more more brilliant for account of the fact that we do not it is bleached then we do not have it try to make more white it
  • 28:52: it is impossible in pencils and we space around the highlight darker to more intensive rosette tomoya practically I'm finished now I process pink in pencil in places gently [music] I stress where it's deepening shadows somewhere 3 hawaii semitone to basically this concerns
  • 29:22: rejected parts that my rose a little detached from the paper a little very much if you you will tear her off outline from paper draw too she will obviously lose tenderness because if you want to emphasize petal along the contour around the roses for this must be done dark tone total up to
  • 29:52: dark background and we have a dark background here do not we assume in general in this background work as there will be no such only in some places we add green leaves which somewhere and petals underline and tear off before elevating visually over paper only here way but in general the whole tenderness is such roses is in that means and have been worked out more clearly and more contrast and she
  • 30:23: directly disclosed in viewers yes and petals extremely they are tenderly affectionate goes into the surrounding space is my rose ready I'm straight literally you know the last ones here some details I emphasize we are already with you discussed in the past times how difficult stop like hard you know stay in pencil it constant desire
  • 30:53: a little more slightly improve add contrasts but very treacherous and because we after all actually with you when work with pencils with bedding dry materials we we work only actually shadows the light is set by us color of paper and we only work shadows somewhere less somewhere more is worth shade of perry to deepen piri-piri black da
  • 31:24: there in my case repaint how to go back there will be no opportunities therefore with contours of petals very gently but here outer lobes are not take a pencil and darker pink red there for sure there is nothing to do zaglubit shadows here can be in the heart please mid near the bud you you can give yourself free rein. here the contrast is here
  • 31:54: the color is sharp there interleaving light-shadows do not allowed in full least this center of course he should be eye-catching just the same contrast in general namely contrasting details they attract to work the most you want to draw viewer's attention to some element their work there bouquets of composition are not important wherever you want so that the viewer looks first of all there
  • 32:24: do chiaroscuro maximally such up to clearly located very contrasting the viewer is there look first queue and everything else the environment neatly steer smoothly and not that until such here very straight favorite method many artists study semantic center and with such hints
  • 32:54: the surrounding space it is by hints that we leaves today with you will do the work with Rose finished and final stage I acutely felt pencil very much island of sharpener and now with one hundred percent pressure on a pencil this is my very favorite moment I make the maximum clearly maximize it is bright only look
  • 33:24: the minimum elements in this rose that is, it is only sharp stripes shadows around the bud these are small shadows too acute in points of contact a edges of light Curved and shadows behind them yes spotlight which I from strokes this is directly the most-most dark places if you feel that pencil of some kind
  • 33:54: the moment you have stops giving here this one hundred percent tone to undermine and its again in the sharpener and he again will be such pointed fresh and will give you very much juicy color but again these pencils this m and how I would strongly not be on them pressured them you can not get such accuracy as for example from watercolors pencils but for training I prefer these pencils like time because they
  • 34:25: save will save you from enumeration errors redial of tone watercolor with pencils perry overbook very easy meanwhile I I continue to work and I have already moved to the next flower pink yes, let's first we finish with pink shades in this work and all that same scheme, that is first pink
  • 34:55: put in the shade also I immediately peachy and add to small where me petals touch paper before already turned away and parts and I delete the graphite pencil I get bud planned pink color without graphite sketch and further I can continue to work to deepen somewhere somewhere there add tone already create straight bud in all glory honed pencil again and
  • 35:25: let's work the light of the shadow but the main generally a flower in this composition is rose in the center therefore do not give please bud same thorough study do not give How did you do this for your roses central otherwise you composition she's a little bit like that will shift to the top of what would not like petals we are with you will also give
  • 35:56: just hint here I really look gently working on first I always have oblique stroke now go see I strokes in one direction and not I put the finishing touches on petal lines or through some these are the main guide lines this flower practically yes then there is a dashed such an unclear soft the grids are not
  • 36:26: underlining individual acute details in this bud further, I have a bud leaves here with white paper where petals before leaves already I add peach colour again doing it rough enough actually the hatched treasure strokes in one direction but not not carefully here from toning light and shadow a in general then roughly enough in
  • 36:57: common bud is ready I will add a small amount of red items in pencil strokes strokes yes that is common form is typed little amount of hatching more and more roses no attention you need this disclosing here proceed with you difficult moment difficult moment concerns implementation of other details
  • 37:27: drawing stroke vegetable this way here if you see I do not know Do we have enough I can clearly see the stroking I roughly that is me directly visible ok stroke of the stroke if I'm central to you strokes were so so that the strokes of the stroke it was not visible very very shaded to places side to side not give at all visually see touch texture
  • 37:59: single strips now I'm painting sharper stem sharpened and dashed and so that I sometimes deliberately shading was visible stripes separate also I do not occupying now contour of contours I just dial it within future leaves somewhere I I leave room future veins
  • 38:29: Again, we are with you we can only work shadows of light set by the tone of the paper so if you suppose you do some bright veins you should leave these places not hatched if they do not subsequently you will need cover them Pencil Pigment yes, and yet the veins the alleged I leave immediately I do not love selected veins erasers elastic band or
  • 38:59: they look like a nickname already very soft the edge you vein here such is how it is get it abandonment unshaded areas of paper with using elastic You can not do it then it is necessary completely all erased and completely all the same type here way a bud for example, I see stroke of the shaft sepal but left no mark about bathroom striped strip between him and his neighbor immediately set black going
  • 39:30: ki on thickness sepals of course it requires training and requires retention in the head form of what you are hatch a notion where you will now be shadow and where is this topic there will never be there is here I'm talking about the stroke Shadow sepals and next sepal I will hatch so to leave thin striped light between him and between his neighbor on it must be reversed
  • 40:01: attention constantly when do you that's so back plan or environment executed in such let's say artistic stroke style she is very good stresses elaborate element in the middle and shows naturally yours mastery of possession hatching that is you can show and smooth carpet with ideal transitions
  • 40:32: you can show and this is such a textured set with pencil many works look profitable precisely textured set that is not softly shaded flowers are fine yes so it looks but portraits for example I I love more here such invoiced you in some places to be straight the strokes are visible I finished the leaves background leaves of the front plan concerns everything the same rule
  • 41:02: We do not touch the light not hatching shadows hatch I typed here take a look now gained easily easily straight 10 percent pressing the main tone whether leaf and then from midline and veins paved the shadow to the left and from the right edge again a shadow has paved to the left will turn your attention that I have There are still pencil contour then
  • 41:32: is this what it means it means that we try hard not give as I have said here is green pencil green color I am fine pigmented so I'm straight know I try very much gentle with them very well, gently so that in no way Do not wipe shade this one here graphite do not squeeze it too into paper to make me feel good retired to gum hereinafter referred to as the color add them
  • 42:02: sepals that have we are turned away from under the roses we have them planned in position when we was drawn here this one here such a roundlet I do not know the seed box future roses when we built the a rose is very important by the way because very often this is position sepals from under she is very questionable happens because the rose draw them with such triangles just stick out down it's not iarna it's not
  • 42:32: quite right then have a better build first a box sepals to pull out stalk and then already on top of this case on this reason draw a rose yes if you draw with nature then this is here without question you be guided by on the floor if we Here are built such a rose andy or idealist with point of view and in general for the benefit of drawing in the future until
  • 43:03: understand anatomy if it is possible so to express anatomy flower of this complex then here of course we have the right to build understand from here comes these here all the streets I now mildly carefully delete simple pencil finally with work is erasing rubber erasing this eraser you know this from me already in my 3 same exactly the same shape color manufacturer ideal for me with
  • 43:33: terms of quality rubber and in itself forms here it is so successfully done by form she lies in her hand magically just better not be maybe this is is called ergonomic shape I have a lot of others there was a rubber band but this did not win nothing after how we removed it from you simple pencil we are engaged I honed finish straight ostrenko
  • 44:03: sharp brown pencil and look, I'm creating lip of petals why did i choose brown eat generally two options darkening this one green is beautiful it or a blue pencil either brown to me it seemed that brown more adequately looks because he did often present in the green foliage parts of roses often can see pink petals leaving right into
  • 44:33: burgundy brownish and in places means give so define the bottom Edge leaves us will be processed brown pencil and the top edge sharpened we with you we will green in pencil wherever you want directly in the message you can to make places before then there are 2 3 4 notches charted brown and
  • 45:03: in the center are the other two three prongs make green with you it will be very beautiful edge such illuminated green denticles where will i do it more simply I I will make one brown side one side green I performed this rose already just 5 times probably know and of course I draw quickly, that is an hour of work as I have already done said it is not
  • 45:33: accelerated process all of you I show without any secrets but I know this very well drawing this rose and these chewing gum leaves I do not draw every first time if you are the first time draw of course get ready for what pondering over elements they too It takes time and if for me the alternation pencils in many places
  • 46:03: frost for example or it is obvious then for you, unaccustomed it may seem there occupation time let's say for a change it is not and the video after of how I plan brown denticles with one side green soup with another hand I do not league easy leg straight you know by hints work on some separate parts if it's gum then this straight lung touching paper look again
  • 46:34: bottom teeth brown to top greenish and will turn your attention that in principle, I endure common contour of such general drawing you are hatching the area but not everywhere I have bells go straight exactly along where burrs exactly along did not turn out java dashed from notch inside green color so most naturally
  • 47:05: giving already completed form this leaf where the leaves have overlay one leaf another then on the bottom sheet I I map the shadow directly little legonchko such a green shadow here with us you maximum maximum pressure on pencil it's 30 interest therefore count please, but this is for me again, because that these pencils measles out they are not all pencils are the same by intensity
  • 47:35: slips here is a green very bright peach very pale that is it is impossible at all put a bright yellow for example just pull out the eye is just very bright although it would seem lemon light a shade but here such he is so intensive can easily muffle others shades which he superimposed the elements sepals I also told you that there are such here
  • 48:05: decided to tag goes narrowed and at the end of he is still pendant with chaos here I am I draw on this form and again and I worked out and brown color brown in my only one set if you have 2 brown pencil from you can again diversify circuit and somewhere to take shadows somewhere more bright somewhere a green I told me that us artistic school were practice when we have from watercolors were pulled out black here at work with dry and
  • 48:37: materials of color We do not have pencils was but we had pastel dry to us did about the same most that is, we have removed complex shades for example lilac or ocher from the palette and left us only there is a set of 10 shades of basic and it was such tones carry out work now I am my brain perfectly understand that this was done in order so we learn
  • 49:08: mix a bed is it was very difficult because the bed at we were disgusting she then there was only one generally speaking bed and all that is only one manufacturer some our maybe Petersburg or Moscow factory now bed great amount pencils are huge number and many of them are mixed among themselves perfectly and I really like sets that is , you do not have anywhere else
  • 49:38: 100 shades but the basic set where 12 maximum 24 colors why because very often especially beginners have desire to use complex shades in work in this neglecting mixing colors look how beautifully and gently looks in foliage only two shades of I I do not use it here are not yellow and blue no other not a different shade
  • 50:08: green though I have there is so much more herbaceous here only two shades medium brown average green and this work looks like very reserved gamma and very elegantly executed in such a limited palette when you take with you pencils on plein air to draw somewhere in hike and then there you are limit yourself yourself because It is impossible
  • 50:39: set of 100 colors Well, you can of course just say so will be uncomfortable uncomfortable with handbag in the ladies' wear a huge crayons of pencils yes you take ten to twelve base colors from without which you can not get by at home ask yourself such but such as Challenge the same tests here open the box decide there with 10 and shades in which
  • 51:10: you want work decide whether or there with five shades we are by the way today five pencils do it peachy pink red green and brown put them in front of the rest of close the box close and decide their work in those colors that you took it you have an excellent service because it's not at all always work is good executed open colors then are those pigments which you proposes
  • 51:40: manufacturer you take bright there lilac bright some emerald shades they are good and beautiful beautiful yes but most often only in the neighborhood with more simple flowers when you are in one work you use many complex shades of bright such something is open then they begin to argue a friend with a friend that is good bright juicy the color shines beautifully when around him
  • 52:11: there is restraint surrounded precisely by now we are doing the creation of restrained environment for our beautiful such here soft lush rose leaves below me practically finished please pay attention like this long then it seems that the environment made rough such hatching allusions it's fast on the very it takes almost as much
  • 52:41: same time working out roses smooth hangout before This is due to the fact that such an invoice hatching it is akin in my opinion calligraphy because that you are each your own movement should if in hatch shading we are you controlled degree of depression to to have a possibility layer up pencils the more pencil and t then here you must control beauty of stroke as it's sad not
  • 53:13: sounded I remember I clearly remember my suffering from beauty and evenness I understand that this is one of the most complex tasks in drawing a pencil there are masters who are capable and small number of hatching and contour clearly do here beautifully held just a few lines can transmit pose you for movement
  • 53:43: mood of some kind work or there we say that's the brightest cats in my opinion are drawn and visible before what is called with the naked look that is it one two lines you hatching giving texture of the coat is rude and you see already this is an animal in all beauty with character similar to achieve without possessing control over
  • 54:13: pencil to full control that is, your head requires and your hands do this is a complete control when your the head requires a hand can not do this means that ahead of you your way of teaching but trust me he is very captivating that is, in my opinion it is in the way training consists the most interesting in drawing here you are not
  • 54:43: knew how you could not took up the goal and mastered technique is this feeling of victory with neither than not comparable and on ways of learning drawing of such victories and will be very very much and therefore I believe that drawing is the one sphere that can give you a feeling just a holiday every day if you draw often to you like you then progress will go quickly and trust me here is this feeling
  • 55:13: daily victory some new little but victory she is small only for others trust me for you themselves is a victory she is very big makes our life brighter in my opinion here and I also have their victories here I brag to you the learning process it is endless and I have my path despite then what is probably viewers can
  • 55:44: show that I I already know enough I also have a lot things that are for me inaccessible than The more I draw the themes the more they tell me open so I'm in the process of how I am with you together draw friends I also have mine my achievements can be somehow I will assemble to you I will make small video on techniques and new methods that I have already reached
  • 56:14: the drawing process together with you I was left alone bud open one closed I'm using green pencil small volume of chic add in a box of a family up to which is a rose and we have I use all the same adopted rules for this work with one hand processing notches brown with another hand treat
  • 56:44: crooks and green somewhere where you want to deepen shadows are small up to this bud I can take advantage and not brown it costs them perry get carried away for creating shadows because that he gives such a feeling small dirty tasty but also in time is also green I assure you not enjoy very do not actively deepen shadows remember that we are with you very easy to do greens in this work
  • 57:14: directly very reserved very pastel transparent bed on here I use words as namely the name intensity of color if you are in bed do this the term of course still more use here yes that is maximally transparent color that the rose at us shined at work environment there was practically no on very hope my friends that this
  • 57:44: master class was useful in spite of its not that small length then i tried This Video do not crop for you show full picture all the work of course watch this video maybe not very interestingly so because that we say so not more dynamically to it turns out but like me already said for me drawing with a pencil this is largely meditative process colored pencils
  • 58:14: because control stroke to control form and degree feathering during drawing with pencils to me really you have to think if the paints in free manner there oil and palette knife I can write completely leaning just on pleasure the sight of color and then how the colors behave creep into different parties and then with with pencils to me think it is necessary constantly over
  • 58:44: hatching over style intensity and for me this process rapid virtually never fails on this my friends we are we finish sign my work for finished I'm waiting for your work in their group come in on Facebook you are welcome subscribe and share with me their drawings also if you it is more convenient to use I'm waiting for you on Facebook where the group on
  • 59:15: this is my friends we are on Today Rosette finished with you was FEDOROVA KATYA and channel draw forget subscribe friends my all while for everyone good luck [music]