Elena Novosёlova

Saved 5/28/19 5:44 AM from Drawing for beginners

“Цветущая весна. Пейзаж" 🎨АКРИЛ! Мастер-класс на День Валентина. ДЕМО  See details »

 
Video subtitles:
  • 00:00: I greet you my dear creative friends welcome to the channel she draws with you wise Kate we Today we write spring landscape despite the fact that winter is not retreating yet I want spring in my soul and today I took the theme that was going to be long ago take namely performance of the master class given accelerated version she gives you the opportunity to quickly get to know this master class and decide whether you want to perform it full
  • 00:30: version without acceleration in the full version discuss in detail the techniques that apply color mixing and nuances selected topic for discussion version real-time master classes available to my subscribers on patreone a also in the VKontakte group for all subscription levels for roses alens and tulips in the description under this video you can find links to patreon in group VKontakte and also materials that I I use to create work theme
  • 01:00: this master class namely video work I have chosen at the request of which already accumulated too much so that i I could not leave them unattended in as the original for doing this master class was chosen by me work Anea kane landscape with spring pink tree and what is the specificity video master classes
  • 01:30: Firstly, this is certainly not an opportunity personally communicate with the artist so this here is a temporary break between asked questions and received the answer can be very long most often we don't have enough with this you have the patience to wait for some answers sometimes it's just impossible to get them for example if we take you bob ross workshops and so we have to define for ourselves very many important aspects
  • 02:00: the first and most important is the choice of size and material for good reason today for the basis I took a large format landscape written oil on canvas please see I have chosen paper but which paper is it imitation of the texture under the canvas Today I took the maximum straight budget option this paper from gluing palazzo album called for watercolor pink garden but this paper for watercolor i
  • 02:31: I do not like because density and and is only 200 200 grams to my glance such paper still possesses insufficient density in order to perform well watercolor but for gouache and acrylic she is good enough and and dignity is accessibility she sold almost everywhere unlike daler-rowney or hanami or which i took in previous times
  • 03:01: as well as this paper has a texture under canvas yes she is not very pronounced she is so very gentle textured canvas but even this texture is enough to to achieve imitating a canvas that way even when choosing a budget option you and I did not choose the canvas on a frame we chose this training paper option and yet fit my friends thoughtfully if you see what job you want but it can be easy
  • 03:32: photo from the internet try to find out on which it is made if the basics are canvas and you want to write on paper please option textured paper if you want canvas more budget option than stretcher is a canvas on cardboard the second important aspect is the choice material if you have a video master class most often a description is given to it used materials if this picture from the internet or work which you liked and you want
  • 04:03: repeat it is important to determine at least try what material it is written if the pasty material is most likely either oil or acrylic for learning pasty painting i I prefer acrylic he doesn't smell and also he multifunctional can try master the techniques calculated on the post This material is similar to the donkey and at the same time the same colors can be written in watercolor technicians like acrylic perfectly soluble in shade possible
  • 04:33: achieve transparent with adding water so we have mediums preserving consistency acrylic and there is respectively water Today I am writing using water can achieve transparency watercolors one material and so many opportunities to work with him also by Hiding with us with oil has similarity gouache and if we see that work written and oil we can also choose
  • 05:05: and gouache this work this master class It can be carried out and what your in the future we must undertake how are we moving if this video master class carefully follow the tools we try analyze the shapes of the brushes i'm full versions of the master class that are available VKontakte or on patreone always comment on which brush type than you can replace if it is not if
  • 05:36: palette knife what form what preferable to perform this type of work if you meet a master class and he accompanied only music and either on a foreign language not everyone speaks accordingly, we carefully watch what for brushes and how the artist What are the knives holding them ? greatly affect the final the result that we get on paper
  • 06:06: further it is important to remember the amount of work You can see that this size is this original is big enough either 50 to 60 or larger so here is such a big size his body gives you the opportunity to work quality parts everywhere light bushes little flowers foreground small format that we take for educational work a4 format such there is no possibility therefore we study
  • 06:38: cast aside impossible to perform smaller parts more often of all this unfortunately the beauty of the front the plan we had on the channel workshops where we studied detail foreground we are with you wrote quiet backwater where very detailed detail aoku including with discussion tools that we can give this very imitation of visual quality study as well
  • 07:10: tools which actually it This is done primarily by bristle brushes as well as brushes and meins and are capable hold a lot of paint and at the same time able to give a very accurate smear well Well I have created the basis of the landscape from Some shades I refused full versions also comment on why further we outline the foreground elements this trees keren hill chose pink
  • 07:40: tree and i will also follow the main thoughts of the master class but me the eve of February 14, the day of all lovers I want to make one significant change namely to give the tree heart shape as you see here the tree spreads the trunk in two directions right lego thereby forming a v-shaped the form is around this form we will be with you in the master class
  • 08:11: build a heart shape of course i would very much recommended a consider at least an accelerated version master class where we wrote large bush in the center of the landscape and in detail discussed the features of writing bushes we have not just round the form in them is under the crowns smaller crown segments which in turn have lighting light shadow and luton experience previous
  • 08:44: master classes will help you a lot if you take up another job also such a big moment is that almost everything master classes designed for what you repeat them several times also very interesting point is that more competently work is done if in At the beginning, you looked at the ri and and at least accelerated versions for example youtube gives opportunity to speed up the video twice yes you lose the ability to listen
  • 09:16: comments are losing quality the ability to track some little things and details but you already have an idea of ​​how work in progress from start to finish you can already guess where you can save on development because on details will follow in the foreground or elements that cover the far plan it makes no sense to work and spend a lot time for middle or rear on this place and so do you imagine
  • 09:46: clearly the finale to which you move looking first and then already performing in real time you have a clear idea of ​​the main moments of work if you perform master class re or third time you thereby not only can you evaluate yourself master class and of course you have done well in your head moments and also used technology very rarely my friends and in their
  • 10:16: master classes I use like this absolute new technology they are in one form or another meet in every master class here can be seen and stuffing hard so my favorite brushes they create wonderful feeling weightless early green when through it so distinctly see through the branches still are visible we have bigger brushes for stuffing and smaller despite the fact that they
  • 10:46: are made of the same lint maker ie the bundle itself similar in stiffness and hair but this is his form she gives a different imprint we did stuffing very detailed winter master class was a landscape also again quiet backwater there we created trees in big quantity using the same technique another important factor when doing work on a photo or video if picture master class is your set
  • 11:17: before the task first of all you need to decide for yourself what you are want to write whether it will be accurate copy do you aspire to absolutely identical result when compared its with the original either you want create work based on either for practices and techniques are presented in master class if the task is full copying when it is necessary to solve also the issue with selection of materials it should be
  • 11:49: identical to those you see in of the original if we were copying work kevin and hilo would certainly have to take the canvas on a stretcher try to choose the same shades carefully look at how it works master and use the same materials then I have to create a copy of course took the oil no matter how similar acrylic let's say more accessible in the works
  • 12:21: home due to lack of smell and his Here are such rich properties, but in same time the oil inherent unique characteristics which can be imitated and not repeated exactly when using acrylic This is of course due primarily with a difference base acrylic we have a water the base oil we have accordingly the oily base is stewed in different ways and Of course the oil does not lose at all
  • 12:51: volume in this way if you used more pasty texture Moscow foreground to more expressively write some flowers and either elements of gay some interesting details they are when drying the oil will not lose in volume acrylic live without use additional textured and pastes either thickeners and acrylic after drying becomes flat ie water evaporates exemplary film becomes flat in acrylic material difference of course
  • 13:24: there is in the copying works also there mass of useful in the first place we learn to analyze techniques that used by the author as well as the tool and materials used in the work and learn to write in the same technicians so that the final result is exactly compliance with the original if we are with you Undertook to copy exactly Dutch still life we ​​would have to learn 7 layer oil painting copying like
  • 13:54: educational practice she existed existed that called since very ancient times and by still exist we all know about masterfully when a big artist opened a workshop typing himself apprentices and they performed often much of his work is master made his final touches and set the signature so the journeymen are long years of watching the work of his master had the opportunity to learn to copy and
  • 14:25: style and technology we are most often my friends We set the task to create work on motives or similar to the image which we liked either repeating any master class Of course to master the techniques that help Without them, nowhere are any effects to us play back however creating a work based on the motives we with you are free to make any changes and I can honestly tell you this detail
  • 14:57: say very much I love to see your relationship to your master class individual notions details that you contribute thereby giving works created by master class individual traits and for this particular job despite the fact that it was created based on the work Kirina frail decided to change the shape of the crown tree and on the eve of February 14 see here is such a we
  • 15:29: blooming pink charming heart it is not very clear now and here already again leave to your discretion you can make the form more explicit more with such a sharp ending you you can make her more hint exactly visually creating 2 crowns resembling from afar but not explicitly counted as heart shape here we can you suggest here is such an interesting
  • 16:01: welcome and discuss it in more detail full version if you want a crown to create more tight you stuff flowers over branches of course until however if you want after the packing, return the wood to the tree more lightness and transparency you should then over the crown again draw a very thin brush branches thereby giving your viewer either see your eyes for more
  • 16:32: branches thus you make it clear that not completely tree tightly covered with flowers that she tracery aerial because we see a lot of branches look as soon as thin ones are added branches immediately felt a greater ease tree the same reception we use and on green trees now there dries out stuff we got green here such here young foliage but of course
  • 17:04: the finale I returned her great transparency that's just such an interesting method that is duplicating the branches the more we have them We see those, respectively, we perceive tree less covered foliage also here near the tree form my heart has grown 2 divided the green one seems to me that the neighborhood a green tree makes it possible rose tree heart shape more blend in with the landscape
  • 17:36: somewhere between pink flowers The green tree which shines through grown beyond a pink tree like this here it would be very lonely to stand i also add to this landscape and not big rosebush growing from the right side of the landscape use of overlapping shades for writing different sections of different details in the landscape eventually gives us more
  • 18:06: harmonious and image the same method can be used in still life and you can even add a portrait small detail and but repeating some bright drop down color and he will sit down visually better not lose when working on the crown volume chick please see me here is a very fluffy tree to give it a cold spring light i added a large amount of glare to foliage
  • 18:39: on the left side to study the crown she we have this Let's crown the most attention-grabbing Of course, primarily due to colors but also due to the fact that detail we used a few Technician at the base of the pack but of course for elaboration for a sharp glare the light playing on the petals of flowers i used a larger brush she gives a thick smear he is best seen and it seems that here is really somewhere
  • 19:10: flashed turned petal pay please note that the second tree I did not work smaller with as careful as they are are on the same plane and with the same level of detail a small tree will easily drag us on itself volume and also can be turned attention to what a heart shape tree is has the biggest contrast that is the difference between light and shadow is further i I will use to splash vani
  • 19:42: one technique also many times we are with you she used a fan brush at work and it's also the part that I want add in original work this reception is not used and flying There are no petals in the work when you come to the final stage of working it is very important to leave your work and take it separately apart from master class if you create work on motives because it is important to evaluate
  • 20:13: exactly what you are at the moment got on paper or on canvas and it is important to this work balanced and kind of lacking somewhere a contrast is possible somewhere excessive or vice versa insufficient study but we are solving such questions already based on what we got to completion of the master class or images we get with you experience and in self-criticism
  • 20:45: develop imagination because everything the amendments we make must be first presented and only then realized if we decided that they do good work if you have any doubts my work for my level followers anemones and roses i offer help in parsing work and also to decide what changes are required and are they required through private messages we can solve such issues with you
  • 21:16: why my workshop comes to an end today my friends are few discussed in the demo some technology stages of doing a lot of talking with you exactly how work is being done in general on the master class if you have any questions welcome to me on patreon as well as to VKontakte group in the full version of this master class we also detail discuss techniques mixing colors and tools needed in the process
  • 21:46: performance of work remains only dry and only after full drying we have the ability to remove tape your work you can share through my group vkontakte patreon facebook and also instagram not forget please hashtags she draws All references to social networks are also There is and in the description with you was Fedorov, for they shall draw the channel you wish romantic valentine's day bye everyone