Мария Гладченко. Тема выступления «Сближенные оттенки: многое в немногом. Подбираем материалы»  See details »

 
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  • 00:00: so those who sat here I know perfectly adorned yes and this is the author of this dress [applause] pat the car that Masha deserves I really like the attention very much creative people here still i see ribbon dollar u
  • 00:30: we are also an artist by education and they also works highly artistic talented and marshal of the artist on Education Masha leads us a course flower studies but about this it is a little bit some point will say today we turned to Masha asking how a little help read the recipes still choose the color to their work here you have conceived some projects
  • 01:01: conceived some topic and how do you make everything organic and beautiful so that the result was a game whose yes and Today this and this one seas march paid don't worry she For some reason, Kate is not worried for the first time. speaking in the audience I am you all now quietly open here you start okay oolya, I will need this one
  • 01:31: a gift I constantly worry yes hello Dear friends, I am very pleased before you speak first I want to thank Olga for the fact that she desired my products walk to america here it was for me very exciting and very but shorter
  • 02:01: 3d was a surprise to me and so well cheers cheers because i don't know when i she'll get to America and here at least savers washed it very nicely and Alina and Olya are really that person who can show who can to file product and it was it was for me such a gift in general, thank you so much now don't write it wait let's it is me we
  • 02:35: today now and may we have a little bit Now let's talk about the selection of materials precisely in terms of color is very stuffy and I hope that we are together now we will choose we will select as a fur I in a subject stated that we will talk about close colors because generally color It is of course a boundless sea and there you can
  • 03:05: endlessly deal with them and options there million so that we do not spread today on the tree here I wanted here with you discuss here for example such a design I she love him very much so that's a trifle naki. and here all that you are saying no can just be
  • 03:39: this is important and let us then how would we be in dialogue if it wakes up Interestingly let's discuss this as how matched materials for here for like a product let's say you want create well maybe cape maybe is it a tippet or a dress or a jumper well here is a skirt as if yes look at what i am I wanted to draw attention on the one hand it is very reserved and color solution Now it is called the fog that is,
  • 04:11: it is as if there is no color or its not enough and you start to peer it a lot she is on the one hand not catchy the parrot there is no well no way diversity bright yes and on the other hand all Equally she does not call him not boring it so there is an interesting game and that's bill what it turns out here we can notice that there are of course two make up this decor on top but also in
  • 04:43: basis here the wool is taken not a single color is taken the transition is this very thin on a shag so that easy was on on the fly for a warm autumn so i'm her did no more dutch silk here here is the junction of the tissue here and we can see what colors of wool participated here to create this one I really like the transition products
  • 05:13: I do not consider the only possible an option but a good one I think when the product varies according to lightness from above down and there and by the way their dress that it is light up above it and down it as if darkened goes into the shadow here and here this principle here it is to me very I like to use different for this wool is this all part of which we brought just I see what's here
  • 05:44: shades somehow not good enough i I will try to take the top light shades but not snow white but I have a little bit prejudice against wool snow i sometime failures she worked burned out is not always but it happens that I
  • 06:16: somehow stopped loving her more with her and the work is the lightest I usually take or milk or natural white very love the shade of acacia here look here here is the lilac of his beige gamma from in both the way products she is lilac beige so you can take as a basis the color is fog this is fur fog here and it 's somewhere we have an average color from him but here it may already be the darkest
  • 06:49: and the dress there turns down even darker oh how much wool but now we look we all need thanks we Now let's see if we all need it pink while resting this is our this is ours the second topic we will talk about later Now we are doing this here flowers cougar well look here damn snow is no I refuse to trust but this thing is like
  • 07:19: taste seems to me that she still does not need in this design because she is so cold with that we have a service here they would seem to you a cold scale but I want the top to be highlighted warm and up I love to do very much I take certification seems to me that she refreshes she 's good to face and she creates some kind of light warm impression is a feeling of softness
  • 07:50: until the golden light of such well this much nicer so here it will be to this The Snow Queen and so this is such a feminine and soft here this is the brightest of ours the color comes out here and we are so pink I rest for now hide here and we go from light down to Dark principle, we can confine alone gray and lilac
  • 08:23: shades like this go here these two equivalent and this one seems a stranger to it can be well so as not to exceed the essence over needed i mean we don't need here 50 shades of wool we choose which is more appropriate but if this is not possible This principle can be taken in principle. look here is very important gradation top down well in the sense of light to dark so that there is no sharp jump
  • 08:54: so that there is no sharp border if we do not have such an opportunity and we there will be a sharp border then we think carefully about the composition but we are about we'll talk later friends let's open something 8 would all be suffocating great and now we are talking about After all, this one goes smoothly there are no clear rows I'm trying
  • 09:24: avoid this so that was not such strips as vest to be such clear zones here and try to make these boundaries are so crooked ethics mountain landscape when there is above each other different colors different plans stand here and basically here on this lightness on this product we stop here i I also add beige and brown shades and here we have on the table now there is no the color of the sand in the Italian palette you
  • 09:57: know on herod the color of the earth we them them we Well, if not difficult, we probably also join them if we want not dwell on this fog go further down we have darker shades of gray and brownish sulfur and if here we have now will appear beige brown below will also be appropriate
  • 10:27: this may of course still be there wool color hue eggplant or as the berries call it I'm a little bit confused about these thanks Great you look here these beige shades they have you here are very appropriate if we do it without them cold so winter story and with them it turns out well, here it is like so much more complicated?
  • 11:03: cold not warm so that's playing but Still, first of all, the fact that we have bright above dark below but if this is our we can do the opposite the plan but it is then we kinda in advance think over here I mean what's important light gradation don't change places so this one will be here and this one here is not necessary it will be unfortunate it will be such
  • 11:35: zebra breakdown not worth it or how it spotted cows that is if such the plan is what we do and then emphasize it but if we don't want spotted cow then you don't need them change places follow me right when to work laying out wool and that's it I lay out my materials here so in order so in order and take them not to be confused here about these not straight rows
  • 12:10: here let's say a dress crying ropes direct Well, how would such such we have such silhouette and when we lay out top down I go usually well here in these products I walked on top, I am the brightest acacia the lightest color i'm right here I have well, that is, here is a small group so shirtfront before and blackout It goes like we add here so that is here
  • 12:42: tank. starts to get dark earlier a little bit that's already the darkest it the bottom is the darkest area so about understand norris here and here see when we have a tank darker and earlier it is slim but here it is important that they are on the same level did that is if I have therefore the side of the dark wool begins on this height therefore so also if we do on
  • 13:13: different height is God and that is zigzag he can play there but if tank will be different then it will visually twist We figure you like this curve here here it is necessary to closely monitor this if you don't do such zigzags for example you want to apply this technique more exactly that is, we are not some from how let's say you make a dress there or or jumper or something and you want
  • 13:46: check it out like this. here the middle of putting a lighter wool and sides a bit darken yes this is such a technique us theatrical costume he is very slim and very much make a figure of relief then I advise and here we do not have everyday life kick zigzags and it will be like smoothly but dissolve I advise right on the template draw this line or there are two lines how many wool colors do you have exactly symmetrically by folding symmetry
  • 14:18: draw a pattern from the second side and layout time follow these lines otherwise we will have curve shapes visually that's because he's a little bit then it came out here and then put on and clearly fuck my god sticks out that ultron and it's like I'm here painted black or painted shadow not where we need it we draw shadows in fact, that's why you need to draw them symmetrical to suit sat
  • 14:49: that's about to that the fact that the zigzag more like zac more like here still look like this when we dress but we have it there crying to the long good of my top down dim we need to follow up where we will be as if visually with us conditionally we can divide the product into
  • 15:27: bright dark zone so here we need follow up where is this difference we have how much light do we have I do not advise to divide in half it will be bad everything is generally like objects divided exactly into equal halves look disadvantageous lose much This I think everyone knows Yes, that's why I will not emphasize much pay attention that let's say bright me somewhere at this height ends
  • 15:59: and here everything is pretty dark either on the contrary, it is mostly with me light dress and here it is basically already well here it is light and just below there is such a noticeable darkening, that is, I saying that let's say these wool here these have less part of the dress and now here are these red counts and already here these are big then there is this well how would u me here breast so much light on and on all in the shadow of the tires or vice versa but what
  • 16:30: which is not equal so that was not the middle in the middle we try teachers even that moment that why do we have at all zigzags here these drops because we are stuff when we hand decomposed we cannot create such gradient like a computer so there with us flowed that's perfect right there from white to black there it is right here smoothly
  • 17:00: without no hitch well hands it physically impossible anyway makita the rows we put there these whales specks turn out yes well, that's even there like combing wool you put well here anyway so i suggest and do not try to pretend to be a car and if you do it there so we beat it here we beat him and and so we beat of my consciously add some more here line decor and here and
  • 17:33: [music] emphasize this here this spotting but that she was with us so managed so that we consciously so we trimmed the part a little bit figured out now about the decor by about the decor that we started the conversation is so that the colors seem a little and at the same time it seems like a lot of it today's topic of our conversation is a lot
  • 18:06: in many respects yes that is to say here what color dress are we gray some yes well gray with a little bit this black and metallic well shine Kai here and it seems to be boring does not look it is clear that if she is among bright orange red greens and blue maybe it will be dim look but I was pleased fotochki ali from
  • 18:38: new york on the background of the city or on the background there the public in the theater she did not get lost somehow did not disappear yes this effect is done we have due to the contrast then when we have this mediocre here background appear light and dark the items i use do not leave the fur is not covered I Always cover the wool fibers well here
  • 19:09: we have velvet covered many times and here covered with silk and i love silk beautiful silk itself and by the way it's available I have a shop to buy at the fair of craftsmen Here and there can be ordered from me as well dyed silk or come soon will be needlework formula I will have a stand there I will be with my materials
  • 19:41: Here you can dig and choose to weigh right on the spot this is the most pleasant much better than the internet but if we if you let's say you are unavailable so can i bye from the frame here this pen if you don’t hand-dyed silk available do let's see what we offers industry what to us offer casket so I got took out the silk squares with a showcase and let's look straight to our design
  • 20:14: how we would spread them and so pink will react here dark brown there is so these cross black at the bottom can go eat beige and gray well, in principle, let's say the fur will not remain with us painting is not strong but razvedeshsya principle, you can cover if even viscose chiko
  • 20:46: polirnuyu and in general will be beautiful of course why I love why at all intel color and silk itself I love of course the space is in shades that is, I have here as they say what to say about this i would added a little more golden at the beginning I would add a little pink Sirine Watt Well, that is, here she is, she begins better play so it is on light well it
  • 21:17: same brown dark gray such with bluish lilac shade that is, if you have a wish if You have a chance Crust or buy painted by hand because it greatly enriches your opportunities to you but you just nicer as you can work and I also use this silk for my own
  • 21:49: silk inlay technique on which finally filmed a master class video on near the festival I will present his here is this technique is my option silk but the sense of fiber paper which is already popular with different masters there have their own different chips who each in their own way I do I with her I work for a long time
  • 22:19: if I work from the age of 13 I have enough already such an extensive experience in this communication here and here it is applied for example here is this picture here is this umbrella it is laid out exactly in this technology I'm telling you about him in a master class and it is also important here to have shades of materials to It was something to create beauty as they say no paints to the artist hard work so we need paints well
  • 22:49: what do you think friends with us it turned out with you this is a series gray lilac gamma I hope you can write something like this here, these would be the names of the wool white let's remove yes that's it so that it is in the frame did not fall at us take a picture of course
  • 23:19: and I just hope that if you I liked this option right here this recipe if you use and you have I will be very happy well to me I like this particular lilac move fresh he he so not so beaten up in fact lilac more often there to mix pink or or beige with the same it seems to me but purple with green is already a contrast combination is this yes
  • 23:49: also one of my favorites but if we talk about relatives from such Here's how to vibrations such as scenic hazy some such things then with beige it seems to me not very often they make me like it personally Of course, the taste and color that is, someone here is like someone is not but here it looks like this and now if you are not tired yet on not tired let's still pink ru pink let's see options now we remove the gray din
  • 24:20: we will need some of them now so remove the squares I think that here these friends let's not take anything yet Now I’ll transpose and re-new a row of night class about pink about pink but this is the same
  • 24:51: technique with velvet this is a tethered velvet you probably who in course if you watched 6 wal last spring i presented and master class there among them was a collar inside master class and on the near 6th li probably will be able to be opportunity to purchase separately not whole master class where
  • 25:21: and evening dress and collar separate collar if to someone interesting here is a small accessory you can to make or not small is already here your fantasy is telling everything what materials how to roll many get scared looking at it think that I sat cheval once that i'm golden seam I sit sequined higher here sewn only the bead fall asleep nothing is sewn here well sequins to trip 3 important well I think
  • 25:52: that this is not a terrible secret you understand what are mesh fabrics are embroidered paillettes and of course you can lay down but I'm just a master class I am telling about including bad experience what not need to take and how to choose them and how determine fit does not fit because that not everyone is actually welded or how would you mesh when you roll about trip then lie around you so there
  • 26:23: there are also some nuances here we are doing there in the frame here's the collar but now we are talking about color from color gamma wool I think that yes you can make a fishnet products under the principle of the same
  • 26:55: principle like that one there is there still important moment at which point we cut Well I do not spread right here these forms Initially there it should be cut but it also need to know the moment not earlier and not later because otherwise it will not work and instead of barf it's just thicker wool make but the effect is another course fight natural silk velvet This is the velvet I painted myself he is also here in all shades and this
  • 27:27: by the way on the formula I have a velvet I will also be with me now beautiful i paint a lot of materials to handicraft formula come here but we now let's pick up the fur some of our product can be in let's get all these products look here insects now all straightened out learn motive yes the same umbrella but in
  • 28:02: other color other color solution and here, too, here we can now with you discuss or you already understand everything but how to do look here I just like this motive because it is very any novice will make it easy need to draw knows nothing you just need to just roll here and he is
  • 28:33: very effective in my opinion he is thankful that is there patience well you need but the result of the guarantees here, look that seems to be on a pink theme so this is not a pink theme my friend while we are returning to the hall more on the pink theme of the product, too, and we can compare can be seen by all to that these are different solutions
  • 29:04: the theme is the same pink to purple with orange are pretty close like sector but we can make the world either it completely pastel or dramatic so satiated or quite bright it depends on our intention that we have it turns out fire hard that we will marriage what we take let 's not decide together this
  • 29:35: take take this one will be the lightest or we need brighter could have been something and lighter before we take again the acacia if we will make here a dress for example such a go-ahead for you decisions we can him make well here 's a dress like this only in pink making very it was our desire to make but hands I did not get here then I would probably start from this acacia we take this we take we take this
  • 30:06: take doubt the truth is harsh if we are hiding it under the velvet then maybe because he would only appear a little bit if he will be here in clear view then it is rather here in the bright if we want gentle pastel decision this refuse it turns out we take this do not take correct is another completely story
  • 30:40: before refuse this we take yes yes unanimously and this is true yes he is well right here home here it turns out see this little bit here he is bright but if we mix it in a little bit with neighbors or is it covered by decor here in In general, with him, it is necessary to carefully over him to watch so he did not yell there alone in the midst of all such softer
  • 31:10: colors here but it could just be like that we must look after him we can take a little bit by the belly to you a little bit here somewhere here we can not take in principle here it is somehow already already somehow not asking yes here he is seems dirty here it is very fresh clean yes and here it seems like like for chumazik what I do not remember to take it this is quite enough if we
  • 31:41: we want even darker means there we have this maroon and by the way yes there is an option call fog here that fog can be called a lot where not everywhere not quite everywhere but here in this case yes look at light here these two are equivalent
  • 32:11: that is, if we decide our location on the product here they are on one height they can there somehow but these fragments alternate but this is common this is their common place the zone and this one is also very close to them these are very lightening so we we will solve here what we have said which part we have more light less dark or less light and more
  • 32:43: dark here we decide in advance not in the layout process in the layout process late over in advance to this solution for take yourself to examine him firmly so what about our silk wool? everything is good already so such a shock is not need this could be because natural this one unpainted squares silk their color is not snowy they have a milky color like that and therefore he is like a pearl he is so nice
  • 33:15: refreshing can be properly so from factory not very strong and run away but such that it is like this do well well, too good for bezrybe yes if bezrybe if not bezrybe there disappeared run wide here I have such a wine gamma
  • 33:47: it is not pink pink and this is it some sort of a dusty one rose now they are to me a little bit crumpled up powdered and I am a rose here and we we can also expand them by there are some more light here speckled but see how appropriate in the answer a little may violet
  • 34:17: but here it can be harsh it depends on our intention and on how thin my stretch if there she can run a little refresh look here with the decor there such a moment the wool here forms the basis and decor as if from this general line he's like would dance the décor a little bit be brighter slightly lighter and darker from base with one hand, his hair
  • 34:51: entrance but we know that it is a little bit it goes out from the other side as if slightly varies right step left here it is coming over due here these are for this line it creates such interest q any accents otherwise will be muffled so that you can take, you can take the color brighter for so little bit more aggressive in a fairy tale only without bigotry not strata there and and
  • 35:23: lay out here what lived glasses strings and then take and you dare not take it brighter we just a little darker and here by the way that here it is 1 nakid despite the fact that the total her impression is pretty bright here after all black is present if its remove here mentally try to subtract black and will be very deaf because need still need some accents any sparkles for that eye
  • 35:53: catch on their color solution is also just as simple need to take strangers that's the color he here he will not play positive here role even if it is a little put well how are you that viscose color may occur but vanishingly small the amount of here is here happiness and and accordingly with this scale I I think that goes well with anything
  • 36:26: golden she may or may not to be in principle gamma self-sufficient there is already enough but if we still put here it's even like the next other code is then look here we have a pink here already orange is more bold the decision too but also maybe here see i took from me from lilac to
  • 36:56: golden overall impression averaged because these color spots they do not hit they are not very active and they are all a little bit with powder and mute here if very active taking but this too from specifically violet yes specifically orange look pay attention not here real red if we are in color
  • 37:28: the circle should have taken a circle if we the color wheel see purple and orange under 120 degrees there is a red one between them red offended working with purple lilac pinkish and orange to me but we remove the red and then we it turns out you think that he is red you are very skeptical and looks now you don't like it too aggressive yes good but look it
  • 38:00: the principle is the same as this one only this one is much softened but diluted brought to the extreme but the color principle no one forces you to do bright do not do bright let's gently gently gently gently do where He has us here the front side i love soft i really love bright too but i love a lot of things in color i hope
  • 38:31: that you also love or love here do we have any ambiguities or incomprehensibility you like this the solution is to remove it well this is your choice individual that is, here you can such a apply method and it will work before there is a mayor of dutch silk to make
  • 39:03: thinly thin i take the inside out of the brand lansky silk handkerchiefs are here on top cover wool they fill the background here these look But on the background of such a cloud of golden pink orange you this is a handkerchief or cap and caps here such silk but this is this silk cap know everyone knows
  • 39:35: silk cap is the same silk that and handkerchiefs only he was pulled on such know a pig I saw if you go to China Silk Museum website there are pictures of this process making silk there is shorter than that wand curved and straight on it These cocoons's like this time and well, there straight this cocoon is stretched over such He and cap
  • 40:08: but I can not say for the manufacturer here generally it was written somewhere was It is written that on the cap stretch those cocoons that cannot be unwound because that there are two caterpillars in one cocoon well that is, there are two threads unwind for for tissues from the floor. he is no more different except for the size of Parnassus handkerchief
  • 40:40: that's where we have here barking. here it is square like this handkerchief up to For this not the last time I here before all the time with handkerchiefs lately I fell into the hands of the cap, I penetrated I am very comfortable with caps because They are much more I take this from the cap with him of course with such a hat I'm cutting it in half I cut straight into halves right here somewhere halves I have now you will show
  • 41:11: half find here look here cut off half of someone for now I'm here cut off it is important to cut off not only across here so that bagel and hole was that he was two equal halves I have it in two equal halves he was the entrance I open it like this and then he calmly shares as well handkerchiefs especially convenient from the cut line to divide it he shares himself current in the path here I am 2
  • 41:41: captured can still be separated and it is straight it is convenient in work half she herself like a handkerchief but she more stretch that is, it can be stretch for big it is the same picturesque see on it all these here is the beauty that attacked the points blah yes it is generally in its limit
  • 42:11: They say you can stretch one meter on but then he was simple there invisible already thickness becomes yes yes here by the way also it’s still two layers they divide them here they are very easy just one beginner himself how will he he also separates like handkerchiefs here this cap with him well, I just like it
  • 42:41: it's convenient to work with them right now This is such a good one. here is the texture points he has all here they are lie here they lie down and they go different here I have shades here it is all here this here is pink orange this is all in caps margilan silk then tonic silk not surely you can put viscose clouds on the wrong side of the thin that's just for rate because the windows have a strong
  • 43:11: faster then the fur is thin any way you what you like in one layer i do but it is one this layer there he is not the only one there anyway they intersect here and then moistened I cover them with this silk still throw some fibers for for liveliness here and then I put a drawing from this one my fiber paper on which
  • 43:42: master class will now come here and this is my way of it The trick is that you will have a clear edge Here are your drawings of even the most little ones they do not blur well, that is, that's right Here's the straight line so they clear clear I am with this way I do that's why they call it a constant all sorts of medallion from his colleagues there he is their palatine where the picture is straight
  • 44:13: typed as inlaid from small pieces of different color and they don't blur but it will be dumped right but only that it's a living, she can be a bit like that do when felting but fox clear need to weigh I can not say about about 80 90 grams probably need for 10 palatine but not lie no wool and wool up to 1 is true and maybe less you know
  • 44:47: may be less if someone does not it will be easy you can straight down the stole 200 now so as not to introduce anyone into delusion and there it is together silk and decor but we will count in mind and understand here's something else to tell friends here with you picked up gamma you was this something useful I am very glad very well what else answer any questions
  • 45:17: or she dress velvet I painted him too here, what is velvet? things by the way you can touch in secret These are the textures of this glasses. velvet he lies silk but the seller she did not explain to them that when they write silk one hundred percent
  • 45:47: a little cunning sellers because a hundred percent silk only to the base has velvet nap relationship does not happen silk I do not know do not produce velvet for what I bought for sell means nap always viscose at velvet and the basis of silk is not silk basis is not privalivaetsya's velvet on silk Based on what is lying she is not very sewn
  • 46:21: and here this whole part is dumped this whole part is felted and there is nothing interrupted this all goal piled I right away Well, it is clear that the layout is not half a day took the layout took me a flog there unhurriedly I laid out all these this velvet with blockers they sweat retrieved in a tricky way so that they there are not left in the product you can not we will not walk in the dress blockers they will rustle here it is all dumped
  • 46:52: and then this part is already sewn on ours laziness and this is also a halt to this halt on this all in the layout do you here each piece of velvet is separate I put a fragment between them place and laid out these things from sequins and all halt on the general about how such things to do too master there is a class that has already been sold spring on wool wali but there is a dress itself
  • 47:22: in the master class is not this but the other of this same collections but about how this is all I do straight show there a separate file we show material and sequins as choose them how to fold them cut to crumble nothing is it there at all really that tap it is sold for sale and it is all But in such a strip on e accurate and cut off sit cut off these spaghetti
  • 47:53: and then we post them when the current boil carefully so that they do not tear linen because wool here of course as thin as possible otherwise it will be our sweatshirt they dress here is the bread I have our velvet straight the layout is not the reverse direct layout because when I put a picture I want see what happens otherwise
  • 48:23: well here i can't figure it out in my mind how everything will be hot she is she still same bent but also like back with me too but from all sides this dress is and here it was a goat layout layout goat and how thin we put well as far as we can here on the wrong side of viscose here is not margilan
  • 48:53: rhyme about the wrong side of the here and so with viscose up clouds yes yes yes here but pasochki I don't know, I can't see and I can't see and goat content and found here that is for depth no look here it turns out that we put wool we put velvet sequins
  • 49:25: and then in between these new ones velvet and sequins do not leave my head account lay a viscose and she a little bit don't care how they powder these edges out and she grabs helps but it is very long this is all this here it is necessary to impose on all of this but I I think the result is worth the process felting for probably three days already filling up is already six seconds
  • 49:55: Well, I don `t know two or three days Probably I ’m not exactly putting it out I remember that and then sew it up also not for long if someone is good and fast sews and generally i'm going to do everything slowly so shy and uncertain but it spreads faster on velvet reduces shrinkage coefficient i.e. usual in the article 1 and 5 make my well here there is a stole or something velvet he
  • 50:26: resists shrinkage and therefore calculate what will happen but a little less factor 1413 depends on how you can play your hand is so that you are there twice all I don't know, but he is just himself Me here here's the wrinkle there, I also he laid even in the process of shrinking he Here he starts to depict these boucle and he of course he doesn't want it resists rests and when wool
  • 50:56: very subtle and then inside out he can a little bit and and even tear up there well wool is our layout of wool so here is such a delicate moment by about want and thinner put but at the same time, on the wrong side, in some places the hole then be precisely because of the velvet that he tears here if you have a wrong side there is closed or and well, it’s not at all clear how would be okay if this is some kind of product which is visible from both sides here
  • 51:27: it must be considered either we do denser or something will cover come in here with sequins this story that you will not do this because that they break themselves and lose their appearance and they still tear everything around and in roll i also afraid that they are there in a roll will be this Well, they are like scales it they will tear there therefore I here
  • 51:59: or like this lumpy but gently, gently or handles handles on the wrong side here and OK, well, what about the size blockers if you're curious about these blockers then really here's a master class look at the example of a collar he, too was he done with blockers they
  • 52:30: just here the tiny in the dress is clear that they were going straight like that but the principle of the method itself is all shown Of course you can touch, you can try on all on this i think it's time for me I already have a long round [applause] Yes please, I'll help you all even do yes thanks then mix with you we have volume
  • 53:07: friends one more second attention that you one more second of attention we are there with you picked up the girls color one second I also I think that it's actually very simple you can do it yourself but those who have learned something new for me I want to tell you, I will be glad if ready recipe is useful to you but if you you will study color science yourself
  • 53:37: it is to pick up with extraordinary ease you will not need other people's recipes St. brought to the reed bridge tell Masha goes actually the third year we have 3 years leading a course of color science 3 mountain yes here's a new one, yes, there’s one there the place was today I wanted to apologize say one place left suggest girls okay but here study color and develop
  • 54:10: But in general, yes, here is this tippet which we we are preparing for wool valdo what were you asking about how are made Here is this technique and I show it right very attentive workshops bosses will not be here and here this palatine we do at the master class I telling so here are laborious birdies how to cut yourself work and
  • 54:42: do them like selina packs faster they individually we do not such a good move and I showed him my locks until one full-time very alive there is of course always visible by felting I - I do not have time to be honest flowering mind every week and well still in this very something you want to understand
  • 55:13: so I did can understand everything very much introduced yeah well masha whole muscle