Портрет бородатого мужчины - Обучение живописи. Портрет, 41  See details »

 
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  • 00:00: Hi gentlemen with you all process there is no such work here and here for example on such She's at the stage now is the only thing we have some section he signed up with this interesting color renditions so I think that Of course, you can immediately
  • 00:31: traditionally recommend view this the movie is still in fast forward yes, in order to just more or less myself represent approximate sequence what do as a matter of fact in our first videos and dedicated the moment we have as we have previous series and did a clarification
  • 01:02: the main spots clarification of basic she usually stains with us It happens when picture, that is, according to stain configuration if we say that everything is a set of loops yes, in terms of painting and even then in first all there is a set of 5 so here all these spots they have a certain configuration somewhere are located somehow way before has its own
  • 01:32: borders direction to in fact business is speed line drawing so nor on whose yes and they have also its tone and now you need this for us is extremely important moment always and also they have transitions yes that is besides tonality up to they have transitions flow where that border can be clear a
  • 02:02: somewhere they can be less things some gradients let's say so and of course all this still has color but why should we you say exactly first of all about configurations Piryatin ie a linear drawing it also understanding form of course up to which is all the same helps it all do more so differently because absolute objectivity it is not
  • 02:32: possible and why we should talk about toni yes if we we say that we all live must be their things speak because as a rule all the same when do we start to paint the first time we focus on perception is colors are wonderful is this fine, but how like you should be are protected to calmly color date you must be are protected Well, of course poloja hand on the heart that is
  • 03:03: it is necessary to understand that there if not 80 then how minimum 60 percent working with color is all the same work with tone well and that's what We are now at home not in previous sessions spots and now we occupy with the same most quietly with us and the color changes color but Firstly
  • 03:36: of course happens clarification of the picture and tons of concrete and here to us sure to help that this is the beginning of each subsequent session yes, here we have videos are separated somewhere in 20 minutes but really there one session is usually there where that 2 3 rollers yes because so she it turns out that from three hour session yes there really to draw to the camera
  • 04:08: it is possible not at all not three hours and except that new every session given allows for fresh sight seeing errors also of course to us in help traditionally it 's still ours let's say so if this it was a habit walk away on good sense of habit get a look distance to ask oneself a question how it all looks in general but with an amendment of course, on that maybe something there
  • 04:39: place behind you yes can be a little bit busy and so what's out there you and draw tanks stand there under your leadership 10 people at a time and so on, that is all these factors well while you are learning what factors hinder it's easy to walk what we forget about this is what we have process drags out yes and so on and so on and so forth
  • 05:09: as a matter of fact all equally recall compare yes to opportunities and so we have us is now being specified tonality throughout throughout the chapter yes around portrait and a little bit the color changes the color changes and
  • 05:49: it turns out that main problem yes this is a portrait just like any complex nature is what we have many pieces many pieces and they among themselves everything like rule is not time is agreed upon then there is someone who is darker and here in this context we say something says soda well here very useful to do and and here are just the eggs we are even there somewhere in cycle of introduction into
  • 06:20: We have oil and almost a proverb It must be understood that this everything has direct attitude towards portraits but here it is a little bit an hour lay a shirt masks of course not so bright before much calmer just something on this shoot with balance white before occurred so so to me even more for some reason like how she drew so she signed up to the camera but nonetheless Well, somehow, so he
  • 06:50: another candle that's when from above you shoot shines less given the truth distorted geometry before a little less drawing look yes photos of course traditionally not worth it expensive points traditionally in the wrong none and color before a stone here but nothing terrible at the very I'll remind you again
  • 07:20: that our videos they all the same not for drawing from the screen yes because it's better with nature draw well now a little bit due to the background we have specified number of outlines from the other side left Athos to pc paid for scrabble and kraplak there well which is good to have under something dark before substrate is paid for black under
  • 07:51: dark brown but here's a little shoulder at home and stain also Here's how it all
  • 08:25: looks pre-racial you see still a little bit more accurate with
  • 08:57: of course, there how did this happen Here kosyachok so he in general, from work in the work sailed and somehow there was no time funny but there was time focus and do it yes he there it remained something there rules rules and even today because it will be necessary when the last series we let's lay out on this portrait can be separated to shoot such a mini series called
  • 09:28: correction of the eye take portrait of the general considerations of its to plant more naturally more naturally plant him but you see a little that we specify the spots at the same time we think about that this form is at the very something architectonics head and in particular forehead before here such and here is this thesis
  • 10:01: of course important then there is even a that when The impressionist said something less draw something form should be good understanding shape head architectonics form head before then just with a portrait You can work confident though of course nobody is insured from mistakes a bit feeling that the eye it was possible a little bit move this one so somehow better would sit here but that not less yet with him
  • 10:33: to be fussed much detail is not it does not become yes it slowly the detail does not become it must be like this the process of restraining we take the main big spots just they will be taken to you or in them we bring in some nuances but not easy for to pass on more details what about these nuances themselves spots they are large
  • 11:04: the an important moment that is, we are at the very even some things are already there details felt at business by and large account we must all equal to all these things to solve issues large spots work with large as it were formally we can do some trifles there have guessed It is necessary to try everything
  • 11:34: is equal to consciousness turn on what do you perceive the whole portrait is can be difficult difficult not convenient and not comfortable and yet business at home to sit about it thought another thing there somewhere to write and so further but all the same you need to slowly nissan then it's difficult return its consciousness so that issue a little bit at once she it only r and bright for some reason
  • 12:05: there could be and no boy invite something there is so reddish beard that's why talking about what clarify the large a heel that that certainly there is a temptation temptation as be engaged
  • 12:35: occupies an What about the sand then a must be understood what in fact Large spots can be still settling down tanks well, here
  • 13:57: little by little to see such we bring up some kind of game Of course this is lively always more or less all the same need again compare cartridges in as a whole Of course there is everything reasons to write periphery more relaxed to what center in order to
  • 14:27: they are mutually combined each other well, some hands such I myself still a he wanted something such know the 16th century Well done to mow that's what it is we cover and so in this time on
  • 14:57: photo by the evening even in chain mail, although in fact, somehow how much an item heavy something like that he so forgotten wrote here the act of syak and a little background of course, we have fractions look here but eyes here it is necessary to look at
  • 15:27: the first teacher at overall impression of 5 on that is not just here is the eye device which in itself is very important and overall impression of stains actions is focused take a look it does not look like but that 's the same as
  • 16:17: not enough will fall flat mask it is enough collected looks principle all the details not very much yes why would I because collected but also all harmonizes with us slightly fund too
  • 16:50: little to clarify at once and on the way I'm sure of course immediately wins very badly won so the general is that if illuminated data object of course not complete reason before give a darker medium around but it is natural that provided that there despite the darkness
  • 17:21: we are some kind of number of shades try to cram because in the dark their places must be more all and so merges with distance played poured but here 's something like this with us
  • 17:51: all the same divide up to to be continued our group where a lot useful information contact and this group where we are engaged such training picture yes to non-profit basis therefore you can quite there on the wall letting go of some training and receive comments tasks are my coordinates yes thank you you for the attention of the ladies and
  • 18:21: gentlemen of all you good to new meetings