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  • 00:00: hello ladies and gentlemen, we are today with you a little bit let's try to talk about the concept of movement Try again talk about the concept movements and today's topic she is dedicated to us movement in icon painting Our video will not be is not theological
  • 00:32: The issue is not art criticism Yes, but in general then as is usual and we will be with you speak he alone drawings and actually saying we are in the process our education picture drawing our training drawing before in progress our education we often resort to heritage to heritage of the old
  • 01:04: masters and here at really me seems very important reclaim not only masters beginning can be with of the Renaissance to baroque classicism before some western but also as a matter of fact it generally has the place is huge influence and traditional art before the era revival and our Old Russian
  • 01:34: art on realistic Russian art since the end of the 19th century on a realistic Russian art 20 centuries to thousands of educational point of view it is desirable here to such heritage, too turn their attention then with one parties if we just studying drawing but also of course it has importance for people students and written drawing in my opinion especially if
  • 02:04: missing say so some academic base which has already laid in humans, observation behind the movement for the notion of movement date here it seems to me in this case is useful concept of motion in icon painting to us to try a little notice to notice it quality and form in this
  • 02:37: for them, let us we will try a little bit talk yes all somehow tongue-tied here to talk more in fact, here we have enough such famous album pre-classical Novgorod iconography and let's we will try something take as example but probably some some kind of an icon where we can be what we want
  • 03:08: to discuss she is very bright is expressed because actually can there is a question well what kind of own concept what kind of movement is this has a connection with academic drawing and so I I think that really if desired, of course all this is possible and yourself notice but here let's try start with this background and yes this is the miracle of George
  • 03:39: I am the fourteenth century later than 14 years before is kept with us in Russian Museum in leningrad saint petersburg album is old still it is written een grote is stored here let's try here consider what moments associated with concept of motion We are rushed here eyes and recall to imagine that when we talk about the movement in outline in the figure, there is in view of the fact that
  • 04:11: the character is going somewhere or is there a train moves yes and there is in view of the fact that the masses of which displayed object but as a rule this human figure yes they are located in space for some beautiful curved arched lines then there are masses of these are not direct and in this The context we can say that they have a motion of each
  • 04:41: relative to a friend so here let's will try to state that us here at first the view rushes into the eyes represent it our here is an icon probably try a little larger at first glance what we see is yes but first concerning composition is powerful diagonal here and yes also here is the diagonal aspiring from below
  • 05:12: up and forward to at the same time we see here is the figure of St. George as if giving such a very strong slightly inclined vertical which works together with a spear but if speak more in detail about the movement figure, then we can say that here it is doubtless the line is read the figure itself, then there is not only a point view composition that here we have the vertical yes
  • 05:42: so inclined that there is slightly tilted vertical yes so powerful and but also from the point of view view figure figure we can say that we have here can be traced here such is the movement in figure eugene figure and also further We no longer have body parts body parts and accordingly here grandson that is such
  • 06:12: here is a legend and often of course for people which begin learn the picture yes of course want to specific hooks that is people ask the question what about such a move is skeleton but no yes we we can say that this not skeleton and movement it's not the spine before the movement is a kind of the sum of the axes is as follows here if we imagine that each part of the figure
  • 06:42: human has an imaginary one can imagine about the strength of the middle line then here's the move all the same the amount these sums before but generalized not to faceless state a generalized expressively and accordingly here we have movement and shape the horse is in motion so here again we will repeat what for
  • 07:12: which is very important for us in figure movement show additional what the availability of the movement is right taken location axes it does figure is alive that is, not by a set body parts blinded by each other friend, namely figure gives a feeling liveliness of life is very important point but let us will try
  • 07:43: move on and in my opinion all the same in figure figure transfer of movement Availability the movement is more important than even other useful factors such as take the proportions and so on and so on here but there is movement is light we are still considering we will not because we are still important take those examples where she is extremely bright It is necessary to express where we are not we can not notice it
  • 08:13: so that we all the same beginning it this concept in our arsenal and change our the arsenal is used here respectively let's see here here the figure of Lazarus yes, here we see the movement is such and this is not a line back and yes it is rather, the average central line see but it's in general there probably even It is not necessary to prove it catches the eye then the existence of such a movement but also here
  • 08:43: as a matter of fact then the figure itself here we see further herein to the group of chapter with savior moving in the right party like and here is another figure I do not know who it is ahead but not less for all participants in this group here is the movement in general reminiscent of one friend yes that is it
  • 09:13: Here such such curved s-shaped line s-shaped line but also here is another the thing is that we we often say that s-shaped line she general figure a man let's say so extreme very often be a place to be and for We have an extremely often applied important in outline before in the drawing
  • 09:43: then here we must remember that this is me according to it here may have unequal legs yes it's all the same in inverted commas but I will remind what is meant Latin for that is curved line usually in two directions here it is in the drawing has an extremely important in the outline in long drawings extremely important value so here we see availability of such a line here she almost vertically it goes part of the line in this figure, too Here and here such
  • 10:13: light bend and small inclination and that's what gives us this as if feeling aspirations the whole group here to the right and here at lying figures we see also the availability movement of such a about something like that head from but also we Of course we can remember that on in fact, Stalin talking about movement the whole figure of movement
  • 10:43: is present in separate parts figures yes that is in some even in pens in my head this movement is mandatory it should be it gives a feeling liveliness of life and if to us to consider parallels with or moments of heritage here icon painting and antique
  • 11:14: art yes that can consider question that you see us here of Novgorod it's geographically far from Greece yes, that is if we would say only Byzantine art to what's next there is a legacy ancient Greek art but here and as a matter of fact she and gave distant connections still continue be here for us It is not the use of formal moments
  • 11:44: there are but these links or not them well of course there on some but for us are important applied aspects up to is connected with that how to draw that is we we see that the availability she is moving like in ancient art both in the medieval Russian art yes it is the main making the figure alive while in ancient art We proportion there taken can be said ideally in medieval Russian art they can be and exaggerated yes where it is not taken here at all
  • 12:15: but nevertheless presence of motion but makes a figure convincing time as we are starting learn fine art is very common pay attention to drawing of individual body parts on proportion to movement values ​​of non-Dadaans and so even taken true in proportions Our figures can be not less not to be convincing not to be
  • 12:46: it would not be more effective not to expressively and not be alive therefore that's very important of course on this topic to us tasks from here development of such quality as transfer movement well here what we see before see here such line so here if imagine generalized than feel here that's what you understand it's still not right so that the axis can be taken from to measure and documented yes which is too
  • 13:17: rationally dry ways they us transmit traffic Do not help but rather this is exactly what you need open to the sensation this when we do outline from nature our regular yes I hope also when so also when we appeal to the heritage as here is what kind of guardianship is there We have a card
  • 13:49: it ended like this it is very important not to substitute there is if we speak what is generalized here movement like this, yes, but place here yet such a small there is a piece it is very important not to swap places by chronology, that is, we very often inclined and the figure draws know to sit like this here tek tek tek copy pieces and big it we must first take that if you are big
  • 14:19: in the beginning did not take a Why not take a because teachers are not up to required and why teachers do not ripened that there is no you teachers Let's say or is it you you can not hear them or still for some reason then there is a need to ensure that we are big motion in the beginning take and then we are already we can divide it into and great at first and to clarify a then we can already have it divide into separate moments and these
  • 14:50: individual moments individual bends up to which are large in the beginning did not show there is a neck bend let's say they are very it is important that they the result is a large large only from this reinforced such a dependence we eat like this then they began to let there is such a bend but we do not care here is this line in whole and transfer and further when we have the figure fills
  • 15:20: any particular it is very important that these particular is the same the process itself is that we have very often sometimes even motion took, with as then you know well formally that is not felt formally but also movement took up good cleaned movements but why not see it? not knowing how to remove a then I'm already at the scaffolding from and when draws and strengthens the movement cattle drawing what should work
  • 15:50: occur because so that movement does not forgotten and vice versa all particulars on this movement worked here this very moment important Well of course ladies and gentlemen these things are enough you can say banal to from them we hear quite often from our teachers but why do not we we are talking now because
  • 16:20: that in general sometimes it happens that some things a little bit They forget but let's we will try here here a little bit introduce people with composition to what see the movement on in fact what the charm of a in of Russian Icon Painting very often traffic is present in all but also as in other works world art level and therefore very often people
  • 16:50: devoid of artistic cultures devoid of artistic education they underestimate this art as well as it was like 18 19 century so far iconography is not anew have opened there was a period when this is art seemed primitive and barbarous and here in end of the 19th century changed the attitude yes and there were exhibitions on international level and in particular such masters like matiz
  • 17:20: for example, they said that they are huge influenced by Old Russian art and in Generally it is visible yes for the product so here's the move is present in all and completely wonderful for these things to draw attention yah well let's get us all now equally concentrate in figures a little bit here we have here so she is not alone
  • 17:50: even there is no such way so the leg is uncomfortable draw because that was fine on the camera I'm forced to look as if from the side angle but I can not directly because what's stopping me from the camera with a tripod well therefore please excuse if not quite definitely not completely under the right angle and now it is I do show here here here so here so
  • 18:20: that is, here first Here so then here yes that is, it turns out such s-imagery then legs a little bit I drew them close before blown us feet here until here and at the pens the same motion there are these things they are actually here
  • 18:50: honestly somehow long ago struck and in those periods when I do not I was thinking about a particular interest in iconography yes they are to me helped in figure that is when there were questions that but that's what you draw and everyone waited for everything like that that that is not present and then pay attention to such things as because you see akin to this for example in outline
  • 19:20: some good masters modern and you you understand and at the very all interconnected yes here such here we have here two but probably The mass here of course more on but not less is the principle such it turns out that often this movement more important than the proportion here as you know in my contact wrote one comrade six months ago so that what it is here you are interested
  • 19:51: iconography is this has the art of you some value or rather, so what if it 's obvious that it's not high artistic values then it is not necessary leave even I can say the moment to be on there someone Availability artistic education to situations where people are absolutely sincerely expected such views may speak out right here nevertheless understand why these things yes they are
  • 20:22: in museums Theft is separate Theme yes where they should be but not less than worth to us to think yes why not only because from these centuries we have no matter how much more there is no icon there is 18 century where much more all drawn naturally but not less possessive less artistic value and why it is worth pondering here but here we have this is approximately
  • 20:53: the traffic is on and here still here Here and so goes with us surrounded by such accents probably we have a long the movie turns out yes thank you ladies and gentlemen for your attention all the best before new meetings bye