Vladimir Shestakov

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44 secrets of finishing of walls decorative plasters  See details »

 

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  • 00:00:00: we are open a series of master-classes application decorative plasters production German Russian paint factory derufa first section devoted to material polychrome and diamonds decorative coating provides at
  • 00:00:30: surface effect light silvering and pearl shine before decorative works wall must be we primed recommend that you use deep penetration acrylic primer tiefgrund roll must be good soak then evenly to put structure on surface through 4 hour surface prepared by painting and decoration sample number one polychrome and diamonds gold Silver
  • 00:01:01: chameleon and polychrome diamonds is delicate translucent Translucent paint mother of pearl pigments material is discharged in three gold and silver Chameleon for we need rubber gloves and rag tampon start gold is deposited crumpled material cloth leaving diverse prints The stronger the pressure clearly mark polychrome Ideally a brilliant suitable for
  • 00:01:31: wall decoration I have painted any color small shiny particles included in its composition can radically ennoble any coating making him sparkle in the rays light is not Draw shades polychrome and diamonds chameleon thing chameleons property is that it creates on surface effect Overflow of silver gold we recommend to starting work to work on technique a small area walls, and only then
  • 00:02:01: to start decorating the entire and a third area one present and polychrome silver diamonds for application the material will fit all that will be on hand only need include fantasy old crumpled newspaper piece of rough texture cloth polyethylene time film drying and polychrome diamonds two o'clock completely dry and capable load-bearing capacity and wet cleaning the coating becomes after 10 days of such
  • 00:02:32: application technique example of how showing little imagination can be easily and naturally give any unprepossessing surface bright elegant look you surprised by the resulting result Let this example It will be your first step does not broad opportunity polychrome decoration and diamonds still meet you in subsequent lessons we with pleasure share with you his other secrets and opportunities a second sample polychrome
  • 00:03:13: and diamonds pattern before starting work at the You should be ready painted wall patterned stencil and brush practice shows that stencil better made of self-adhesive film before starting work need to make that it is firmly and smoothly adjacent to the wall similarly the previous sample in this example, we We will show all three options for dashing and diamonds gold and silver chameleon traditionally We start gold
  • 00:03:44: apply the material soft brush or foam sponge be careful to color was uniform I do not have any rough trace patterns gold beautifully decorate any classic interior will give luxurious look to any silver surface there will be relevant where required noble cold tune the color of the metal combined with the indispensable glass and mirrors chromed
  • 00:04:14: elements polychrome and diamonds chameleon is universal nacre which can be applied pure form and can be that we call did add pink color have in mind that any color on a surface perceived differently than in the bank so helpful to make a test painted in a your light
  • 00:04:44: assess the results and only then start to finish apply the material a thin layer is not let it spreading of surface in five minutes after application stencil should be shoot if you do so previously may formed smudges
  • 00:05:14: if you remove the post completely dry broken clarity drawing boundaries drying time polychrome and diamonds two o'clock material is not crack and change their color over time by exposure sunlight not let us affirm that like it is eternal precious silver and gold but the bayou It will be very long section deals decorative
  • 00:05:44: material knocking Veneziano Venetian plaster and comprises workshops on classical and the original application techniques third sample Mortar Veneziano relief roller Venetian plaster is applied just perfect lined surface unacceptable even the slightest flaws material can be tinted in any color for the sample we selected
  • 00:06:14: beige color accept note that the drying color material becomes lighter Apply material surface and thin evenly use for this special trowel edges and corners that shall be rounded a since the upper layer
  • 00:06:48: the material dries immediately proceed the formation of billing for this you It needs to roll long pile long light movements and shape on surface uniform relief when decoration large surface wall, we recommend work successively sites the joints between the sections Eliminate evenly rolling material roller a
  • 00:07:21: the surface is ready to decoration through two hours after drying inflict translucent decorative coating a polychrome chameleon diamonds material applied to the surface foam sponge uniformly smooth
  • 00:07:51: circular motion drying time polychrome diamonds and two o'clock next floor polishing for this It has been used familiar with the movie smooth rounded edges or special sleep and the main pickings property Venetian plaster it
  • 00:08:21: unrepeatable luster are shown after glossing The more effort you to that attach the brighter and more spectacular will gloss we have considered not original classic way application Venetian renders it as well called classics will later sample 4 knocking Veneziano + silver you can call material in any you like
  • 00:08:51: color for the sample we selected lilac the proposed technique It allows you to create low relief with any surface picture Apply the material surface thin layer and immediately patterning plane trowel short multidirectional Goods movement It can be applied to any mineral except base
  • 00:09:21: lime plasters and surface colored oil alkyd or silicate paint for creating flawless coating the wall should be perfect aligned Venetian stucco is very sensitive to any surface flaw mortar Veneziano classical Venetian
  • 00:09:51: the fine plaster acrylic material well-Glen it is durable and Suez therefore does not need additional Protection of two hours surface it becomes dry after drying lens surface Ouija trowel in-stream It is placed at an angle of 45 degrees heach I do with great pressure you results We must reach
  • 00:10:21: glossy shiny convexity and matte uniform deepen next decorating step on this sample, we strike a delicate translucent coating a polychrome diamonds silver material applied to surface with a trowel arbitrary multidirectional Moving time drying and polychrome
  • 00:10:51: polished two o'clock completely dry and capable load-bearing capacity and wet cleaning the coating becomes after 10 days of such Floor bring luxury decoration your interior and the guests will not believe that such a beauty we created with their own hands sample number 5 mortar
  • 00:11:30: Veneziano imitation marble to create flawless coating the wall should be perfect lined equipment marble imitation based on the use of two or several colors a small part material in kolliruem a darker shade for the creating streaks and inclusions the remaining part kolliruem light shade shade a basic background the first place New drawing lived material
  • 00:12:00: dark take material at an angle draw a thin spatula broken line with branches squeezing material from under the edge tool the number and type veining put on its discretion by two o'clock when the first layer dries proceed to main application background basic background applied broad short strokes a thin layer over the entire if the surface you need to get
  • 00:12:31: certain colors that better to do it on professional equipment derufa color system e.g. if you wish get light independently use universal pigment as in our example after drying surface about
  • 00:13:01: In 2 hours proceed polishing polishing very responsible and time-consuming process capital instrument at an angle of 45 degrees surface and stretches with emphasis on surface begins appear deeper inexpressible Beauty image imitating polished surface natural marble completely dry and capable load-bearing capacity coating becomes after 10 days material
  • 00:13:31: absolutely resistant to moisture and impact sunlight Venetian plaster most common decorative material that known to people ancient times shown Appliances It allows you to make miracle turn any room stately palace hall 6 sample knock Veneziano classics
  • 00:14:02: brown in this lesson we We describe the technique application Venetian plaster classical material way It can be tinted in any color on your choice for our sample we selected pale brown The darker you You make the shade longer appear color depth first layer is applied short uncoordinated masks in different areas across each plane smear made two movements spatula one perpendicular
  • 00:14:33: another first movement plaster applied to a second surface selected residues material second consecutive layers are applied accurately as well as the first partial masks should overlap each other in this key understanding classical the method of application number of layers must be sufficient to complete covering surface usually three to six Venetian
  • 00:15:08: plaster is applied on a level prepared surface unacceptable even the slightest flaws material is applied special spatula Stainless Steel rounded edges such a tool is not sharp leaves the borders of the substrate and does not scratch surface at after polishing applying the last layer can begin polishing pay our attention specialist demonstrates how We need to correct
  • 00:15:38: hold the instrument tool capital at 45 degrees to surface and stretches with the push of a fully dry and capable load-bearing capacity the coating becomes 10 days mortar Veneziano highly strength and
  • 00:16:08: resistance to exposed UV resistant flags making his can be repeatedly wash sample number seven knocking Veneziano patterns brushing it
  • 00:16:38: not a difficult technique shows how to create drawing Brush to give color It can be as tinting installation and manually using universal pigment as in our example keep in mind that any color surface perceived differently than in the bank so first we we suggest you make trial painted Apply material surface thin evenly use for this special trowel
  • 00:17:08: edges and corners that shall be rounded since the upper layer the material dries immediately proceed the formation of use textures for this dry broad brush stiff bristle brush you can decorate the entire surface but you can create some patterns you can take advantage of pattern shown us or make your
  • 00:17:39: a circle of waves direct or multidirectional lines after complete dry surface about In 2 hours proceed polishing polishing it smoothing process all small irregularities surface placed tool
  • 00:18:09: at an angle of 45 degrees to the surface and pulls a chance to push gloss can be like trowel and with spatula rounded edges Stainless Steel after polishing surface begins shine and pattern It is becoming expressive completely dry and
  • 00:18:40: capable load-bearing capacity and wet cleaning the coating becomes 10 days looking at this pattern can be again make which is capable of miracles create a knock Veneziano without doubt resulting coating satisfy the most demanding and fastidious taste sample number eight
  • 00:19:13: knocking Veneziano classic red trail This method of application similar to the six samples classic in brown color material can be tinted in any color of your choice on This time we have chosen bright and darker than you you make a shade the more manifest color depth first layer is applied short uncoordinated masks in different areas across each plane smear done in two
  • 00:19:43: movements Kelmi the first movement plaster is applied on the surface second matched material residues the second and subsequent layers are applied accurately as well as the first partial masks should overlap each other in this key understanding classical the method of application the same technique applied three to six layers Depending on which tread depth you want to
  • 00:20:13: Venetian plaster is applied on a level prepared surface unacceptable even the slightest flaws material is applied special trowel Stainless Steel edge tool gradually became clay such a tool is not sharp leaves the borders of the substrate or scratches surface at after polishing applying the last layer can begin polishing placed tool at an angle of 45 degrees to the
  • 00:20:43: surface and stretches forcefully flawlessly smooth glossy surface can be achieved if after each layer slightly Polish surface sandpaper the finest fractions larger grain will leave marks this method applying enough easy and as a result gives spectacular results view drawing mortar Veneziano applied
  • 00:21:14: classical practical way not be repeated twice in this series of lessons we We introduce you to viluta materials and knocking creating sets effect on the surface Silk and overflow also tell what results can be achieved using different combinations of these sample materials 9 viluta plus the silver
  • 00:21:46: to start the mix both materials a ratio of 1 part Bill and the two parts Is this silver both the composition liquid sufficiently and so the wall for them application should be perfectly aligned Apply a thin primer for work using trowel Stainless Steel rounded edges apply the material evenly arbitrary movements film from the surface tear off easily and
  • 00:22:16: soft avoid smudges viluta translated from Italian It means velor Aset silk and materials are not accidentally got Both these names create the illusion finest fabric coverage Bill is more dense and velvety Aset more silky and tender after application
  • 00:22:48: first layer attentively inspect surface is It remained whether her unstained leave areas wall to dry for two hours finishing 2 layer is also applied plane trowel multidirectional movements that can achieve spillover effect drying time topcoat as
  • 00:23:18: primer 2 is chasa completely dry and capable load-bearing capacity the coating becomes after 10 days in the case, we mixed the two material to get both warm and the cold glitter viluta has in its consisting of gold particles attached the material is soft golden hue silver contained network brings cold gleam If you do not have silver on shower or requires
  • 00:23:48: a soft warm background can be eliminated Seto from the This will be discussed you next Master-class 10 sample viluta application technique villa is similar to shown in the previous master class on perfectly aligned and prepared applied to the surface the first thin layer
  • 00:24:18: to work with the villa You need to have familiar to you trowel rounded edges Stainless Steel viluta refers to decorative material imitating expensive tissue in this case velvety velor many yellow metal particles present in it part of a unique glitter will play rays of light and give luxury kind of furniture your interior and
  • 00:24:56: second finishing layer also applied plane trowel multidirectional movements that can achieve spillover effect Unlike knock set viluta material thicker What allow create light another invoice distinguishing feature viluta It is softer Colour viluta unique thereby a combination of qualities so how to use it easily create Noble design with soft shimmer
  • 00:25:26: gold and weak relief well villa you can use to imitate aged bronze recall that the time dry layer It takes two hours completely dry and capable load-bearing capacity and wet cleaning the coating becomes after 10 days Bill is irreplaceable to decorate the premises which should prevail atmosphere calm and comfort sample number 11 knock
  • 00:25:59: cassette gold and silver cassette knock noble decorative cover is produced in two options gold and silver the example we mix one part This gold two parts with the silver You can also regulate this proportion to their the taste of the more in mixture will be be present silver and the softer tenderer will color knock cassette also
  • 00:26:29: as well as the villa is possible applied to any mineral except base olive adhesive putties lime plasters and surface colored oil and silicate paint draw note that surface must be well prepared perfectly aligned after application a first layer or make sure the substrate
  • 00:27:00: that the material applied evenly across surface give cover dry design drying time first layer 2 chasa when the second application layer should be avoided movement in one the direction of effect silk overflow It achieved precisely because score multi-directional movement since material dries Do not apply for a
  • 00:27:30: more than two times square meters drying time topcoat It takes two hours completely dry and capable load-bearing capacity and wet cleaning the coating becomes after 10 days cassette knock
  • 00:28:10: beautifully decorate any classic interior eg living room or bedroom room where We demand peace and grace in the end happened surface awesome optical effect This play of light and shadow and akin to tender overflow on the dress oriental beauty sample to 12 stupas Seto gold
  • 00:28:40: Aset knock soft elegant decorative material wherein present many tiny gold particles it's perfect for internal decoration and It does not require special skills at drawing surface must be level correctly prepared as the even minor surface defects wall later show up material is applied my two layers of gel
  • 00:29:10: first layer priming it a task uniformly closed wall and provide a basis second finishing layer apply the material short multidirectional movements without pressure in order to avoid significant joints on the surface strive always work on wet edge of the corner and the corner once all surface will is closed give material dry design drying time first layer 2 chasa a second layer requires
  • 00:29:52: more of you attention because it it affect Figure that you will daily admire Apply for years material multidirectional arc or wavy movements of the smaller mask the richer will be poured under the surface different perspectives recall that the time dry layer It takes two hours completely dry and capable load-bearing capacity and wet cleaning the coating becomes
  • 00:30:22: 10 days Gold since ancient times, this awesome metal underwhelming a good half of the people on the ground, he did not pass perhaps neither side one civilization and throughout century after present age the most refined and significant works of hands human if you Interior finishing We chose to knock it Gold is quite you can count its small
  • 00:30:52: composition art 13 sample knock silver tape this kind decorative cover completely identical previous 100 only difference in his based not contained gold and silver
  • 00:31:23: particles before Begin qualitatively prepare wall Minimize all possible flaws and irregularities are can not hide thin layer supported material for you need Trowel stainless steel and with rounded edges wear makeup evenly without pressure glides on surface try to avoid drips and set drops in translated from Italian This means silk amazing in its
  • 00:31:54: the structure of the fabric known person with antiquity but has not lost its relevance to the present the name of this day the material has been given not by chance like a fairy tale overflow finest silk fabric set a so as beautiful plays the rays of light effect is created the smallest metallized particles two hours after
  • 00:32:27: drying of the first layer to proceed second the finish the second layer is applied similar to the first plane trowel multidirectional movements recall that the time dry layer 2 takes a purely completely dry and capable load-bearing capacity and wet cleaning the coating becomes after 10 days unlike
  • 00:33:02: material is giving a warm gold and soft shade steel shine silver more cool it is where appropriate must emphasize rigor and the elegance of form advantage silver coating is is that it is equally It is well suited as a classical Interior and for modern solutions in high-tech style while the touch surface recalls natural gentle natural silk sample number 14 knock
  • 00:33:37: cassette tinted silver technique applying this Master Class is no different previous for except that He says even about one important knocking property set can be tinted for our sample we chose pale green color add color It can be as tinting installation and manually using universal pigment as in our example
  • 00:34:07: keep in mind that any color surface perceived differently than in the bank so helpful to make a test painted in a your light assess the results and only then start to finish pay attention to what richer and darker the color of the weaker overflow causing the first layer must be close material the entire surface as a tool We use trowel with rounded edges in two hours
  • 00:35:01: we put the second finishing layer multidirectional masks recall that the time dry layer It takes two hours completely dry and capable load-bearing capacity the coating becomes 10 days coating resistant to exposed UV rays and well carries wet cleaning combination
  • 00:35:32: different colors of material properties allow to realize a bunch of design solutions if you want to achieve color harmony in interior if needed match the color of the walls with elements interior with color floor or ceiling section deals
  • 00:36:04: decorative material farina difuza Create effect two-tone surface and antique vaporetto believable simulating in the old mineral wall a sample of 15 Farina difuza pink the color of the material can be tinted in any you like Colour we chose hot pink bet on difuza a thin decorative composition comprising of transparent bases and insoluble in it mineral white
  • 00:36:35: flag cool at tinting painted only Transparency of communication included in the composition particles the color does not change in resulting coverage obtained give a two-tone color can be as tinting installation and manually independent tinting we recommend take advantage of universal pigment as in our example keep in mind intensive mixing can ul and destroy flag and to achieve the desired decorative
  • 00:37:05: the effect can not be Apply the material a soft, brush arbitrarily or follow conceived pattern Depending on what results you want to achieve liquid material so try avoid drips immediately after application
  • 00:37:41: start smoothing flag Street and special soft plastic spatula in different directions try to work gently lead spatula without pressure some particles will burst leaving surface Natural Crab is planned Effect in two hours surface it becomes fully
  • 00:38:11: dry wash surface It recommended 10 days main advantage of this material simplicity and applying a low cost of a sample of 16 Arina difuza color tobacco This master class by applying the technique absolutely similar previous difference only that we kolliruem material
  • 00:38:41: tobacco color for staining Farina difuza possible take advantage of tinting installing derufa color system or call a independently I use universal pigment as in our example keep in mind that any color surface perceived differently than why Pompey helpful to make a test painted in a your light assess the results and only then start to finish material applied to the surface in one
  • 00:39:11: wide soft layer brush in the case, we decided to show you the option to longitudinal applying a generally it can be cruciform wavy or any other movements the only condition uniform white distribution granules across surface area the best way to applying downward this will avoid particles to crumbling ready-made surface immediately after application
  • 00:39:59: material proceed to his priglazhivaniya use for this soft plastic putty knife Work with a spatula neatly from the special pressing as you probably already have noticed surface turned this two-tone
  • 00:40:29: happened because pigment dyes only transparent base leaving white particles unchanged as a variant similar effect can be achieved not causing tinted Farina material difuza a colored substrate suggested as backing use a matte paint household series since it is loose surface better just holding the flag cool and priglazhivaniya through two o'clock surface it becomes dry wash the surface It recommended 10
  • 00:40:59: days 17 sample anti Caporetto sand antico color bar is translated from Italian as old wall and as farina difuza material consists of transparent basis and insoluble in it mineral white particles only smaller size can
  • 00:41:29: not apply tinted material color substrate and may be to encode a lot of you like color in this master class, we use universal pigment shortcake colors for the application you It needs a trowel
  • 00:41:59: with spatula rounded edges material applied to the surface thin bed multidirectional masks, depending of the feed pressure can be obtained either whitish stains or concentrated antique white spots the device is simple infliction and easily restored to any stage of the surface is dry
  • 00:42:40: in two hours is dry cleaning It not recommended earlier than 10 days after drying coverage believable simulates surface of old walls blown Mediterranean wind coat get a very robust and rough the touch surface durable material not afraid of the sun drops of light temperatures often wash Sample 18 Anti coupe red d
  • 00:43:17: Brown color This master class by applying the technique similar to previous call a parade it can be two ways taking advantage of tinting system derufa color system or manually adding universal pigment as in our example surface before coating necessary to align wall must be a uniform color without spots that may occur through
  • 00:43:48: a transparent substrate start to apply material downwards so you can avoid falling drops on a ready-made surface flatten the same mask holding trowel flat surface and smoothing hits you at an acute angle anti- You coupe red composition basis modified acrylic polymers and special mineral filler white granules after tinting remain unpainted and
  • 00:44:18: a result of surface obtained this two-tone decorative material designed for imitation old mineral wall so slick and pattern appears at intersections well worth it inhomogeneity only decorate common painting surface dry two hours completely dry and capable load-bearing capacity the coating becomes after 10 days
  • 00:44:49: application technique anti coupe red and very simply everything that you I need it flat wall and a little patience Mahmoud popular material we opening series relief decorative plaster pattern 19 March High husband
  • 00:45:22: texture for application need a spatula and trowel with rounded edges Stainless Steel this allows material applied flat masks and avoid ragged edges put on thick surface the material layer and patterning jerky movements trowel take into account that the figure needed form immediately packs armour not dried up and has not lost its plasticity Mormul different
  • 00:46:00: the fact that in its composition is synthetic cellulose fibers which do not give material during dry and apply crack even when Two coating thickness all centimeters plaster relief hide small defects in the wall so thorough training surface not required drying time
  • 00:46:32: Marmara depends thickness the blend layer and It ranges from 2 to 48 hours form as well as all plaster relief It designed to creation all kinds Invoice including large reliefs but itself texture does not produce seems so for coloring and amplification effect surface decorate the front of this to remove from sharp surface
  • 00:47:02: protrusions via medium grained sandpaper then purify her dust to decoration of sample we selected polychrome and diamonds Gold is soft translucent paint with the addition of fine gold particles it gives surface effects light gloss and nice looking gilding Apply in foam sponge circular motion carefully
  • 00:47:32: shading time drying and polychrome polished two o'clock completely dry and capable load-bearing capacity and wet cleaning the coating becomes after 10 days what is the secret popularity relief plasters the relief image of a shadow that move at changes in lighting and we think that surface comes to life and combination of live topography and
  • 00:48:02: natural color It creates the illusion reality March 20 sample Moore bark wood to build picture of tree bark need not any additional instruments other than we know trowel and spatulas with rounded edges
  • 00:48:32: it is very important sharp instrument inevitably ends spoil the smooth relief lines inflict material on smooth surface a layer of more highly Moore thick but thanks plasticity and softness with him nice work keep in mind the upper material layer dries so are building a picture bark once for this place trowel the entire plane on surface and see smoothly downwards and bottom to top
  • 00:49:02: avoid monotony and parallel lines at high surface work and portions of the joints between sites easily eliminated by the same movements as we have said
  • 00:49:46: itself texture does not produce seems so for coloring and amplification effect surface decorate the front of this to remove from sharp surface protrusions via medium-grained sandpaper then purify its dust Let us give texture natural bark wood color for this we use the material candy bromide tyranny who made the call with
  • 00:50:16: assistance universal pigment bromide pastille tyranny is not only giving color and underlining relief but additionally strengthens applied to the surface I put a thin a layer of foam sponge a for more expressiveness remove the color on most projecting portions and
  • 00:50:52: drying time two candy mediterraneo hours completely dry and capable load-bearing capacity and wet cleaning the coating becomes 10 days is texture perfectly fit in interior where there wooden furniture its background will be well look room flowers and plants sample number 21 March
  • 00:51:29: abstraction husband This master class we will show techniques applying relief plaster with a view creation abstract pattern any premises is space bounded by walls presence visual abstraction and blurs the boundaries It gives a sense of space of freedom infinity application technique
  • 00:52:00: very simple at first Apply in evenly immediately create drawing all plane trowel short multidirectional movements The same technique We decorate all wall surface portion of portion without interruption drying time
  • 00:52:42: Marmara depends thickness the blend layer and It ranges from 2 to 48 hours like you said itself texture does not produce seems so for coloring and amplification effect surface decorate the front of this to remove from sharp surface protrusions via medium grained sandpaper then purify Let us give her dust texture color for
  • 00:53:13: this use candy material midi tyranny which kolliruem using universal pigment bromide pastille Piranha is not only giving colors, and underscores relief but additionally strengthens applied to the surface set in a thin a layer of foam sponge for more
  • 00:53:45: expressiveness remove the color on most projecting portions drying time two candy mediterraneo hours completely dry and capable load-bearing capacity and wet cleaning the coating becomes 10 days later we just revealed armour allows create any relief and it can be artistic
  • 00:54:15: plot analogy some texture or abstraction 22 sample more flies abstraction This master class by applying the technique is no different from the previous we Only selected another colorant to show as one only color change changing perceptions relief benefit this method application is that you you can form your unique
  • 00:54:45: figure do not be afraid experiment with direction traffic pressure force to the material angle trowel to the surface all these factors directly affect final result application technique very simple first applied material uniform layer immediately New drawing the entire plane trowel short multidirectional movements in the same technology decorate
  • 00:55:15: the entire surface of the wall portion of portion without interruption drying time Marmara depends thickness the blend layer and It ranges from 2 to 48 hours like you said itself texture does not produce seems so for coloring and amplification effect surface
  • 00:55:46: decorate the front of this to remove from sharp surface protrusions via medium grained sandpaper then purify its dust Let us give the texture color for this use candy material midi tyranny which kolliruem using universal pigment bromide pastille tyranny is not only giving colors, and underscores relief but
  • 00:56:17: additionally strengthens applied to the surface set in a thin a layer of foam sponge a for more expressiveness remove the color on most projecting portions drying time
  • 00:56:57: two candy mediterraneo hours completely dry and capable load-bearing capacity and wet cleaning the coating becomes after 10 days advantage abstraction is that in itself abstraction has and no taxes and so she quite so boldly create their unique world sample number 23 March Moore tack in scarlet color In this master class
  • 00:57:29: we will talk about creating original surface mm material armour drawing got its name from the lip of especially technology application to build our the figure does not require any additional instruments other than They are known to us and trowel spatulas with rounded edges first of all strike a a small area uniform layer on its thickness will dependent height relief immediately
  • 00:57:59: We proceed to create pattern for this cleave trowel the entire plane to layer material then with an effort to delay cell itself until it fully otlipnet from the surface working in the same technology creates relief on all movie plot should be turned to avoid uniform prints in the same
  • 00:58:31: sequence decorate for all surface portion of portion after we shaped texture nailed all sharp surface projections damp sponge a drying time Marmara depends thickness
  • 00:59:01: the blend layer and It ranges from 2 to 48 hours as we have said itself texture does not produce seems so for coloring and amplification effect surface decorate the front of this to remove from sharp surface protrusions via medium grained sandpaper then purify its dust next stage kolliruem candy material
  • 00:59:31: mediterraneo for coloring keep surfaces in mind that any color on a surface perceived differently than in the bank so helpful to make a test painted in a your light assess the results and only then start to finish Apply in foam sponge circular motion carefully shading time dry set mediterraneo two o'clock
  • 01:00:01: finishing third layer we put polychrome and diamonds gold to show relief combination color and luster we put a polychrome diamonds of the same sponge in circular movements drying time polychrome diamonds and two o'clock after 10 days
  • 01:00:31: resulting coating is resistant to abrasion and mechanical injury a March 24 sample Moore
  • 01:01:02: Touch dry in the sand color This master class by applying the technique is no different from the previous we Only selected another colorant to show as one only color change changing perceptions first of all relief Apply to a small uniform section layer on its thickness It will depend on the height relief immediately We proceed to create pattern for this cleave trowel the entire plane to then the material layer
  • 01:01:32: with an effort to delay cell itself until it fully otlipnet from the surface in that the same sequence decorate for all surface portion of portion The film follows to turn to to avoid uniform prints after we shaped texture nailed all sharp surface projections
  • 01:02:02: damp sponge drying time more mura depends thickness the blend layer and It ranges from 2 to 48 hours like you said itself texture does not produce seems so for coloring and amplification effect surface decorate the front of this to remove from sharp surface protrusions via
  • 01:02:32: medium grained sandpaper then purify its dust next stage kolliruem copper material pastille tyranny for giving surface color keep in mind that any color surface perceived differently than the bank so helpful to make a test painted in a your light assess the results and only then start to finish Apply in
  • 01:03:03: foam sponge circular motion carefully shading the drying paste
  • 01:03:36: you two up to tyranny hours surface It turns soft on appearance and smooth to the touch more like a relief Moore material under relevant the finishing corridor staircases that ie those premises where, along with the beauty required strength and practicality Shtukar or wool decorative material intended for creating a relief to
  • 01:04:06: medium grain marble filler perfect for conditions where surface imposed great demands on strength and sample practicality 25 number of the relay wait a mosque edge in the master class, we show simple deposition technique wait a relay that we named Mask edge uri Lego ie one feature It captures well Tool marks on surface so
  • 01:04:36: no need for applying a thick causing layer a small section wall material layer we immediately form a drawing as tools we use spatula or trowel with rounded edges Stainless Steel patterning wide rib instrument leaving multidirectional masks such equipment We decorate all surface plot for the portion not
  • 01:05:07: punctuated and the surface is ready to decoration through two o'clock as we have We talked itself invoice does not produce seems so for coloring and
  • 01:05:37: amplification effect surface decorate the front of this to remove from sharp surface protrusions via medium grained sandpaper then purify its dust next stage kolliruem mide material pastille tyranny for giving surface color keep in mind that any color surface perceived differently than in the bank so helpful to
  • 01:06:08: make a test painted in a your light assess the results and only then start to finish Apply in foam sponge circular motion carefully shading drying time
  • 01:06:42: two candy mediterraneo hours the resulting coating It does not require large labor and on material costs it is well suited featured large massive surfaces when must be strong and durable coating and there highly requirements for the drawing 26 wait a sample relay tinted in the mass stu smoked wool decorative
  • 01:07:12: material intended for creating a relief to medium grain marble filler Let us give the material natural bark color of the wood for patterning cortex the tree is not required any additional instruments other than They are known to us and trowel spatulas with rounded edges it is very important sharp instrument inevitably ends spoil the smooth relief lines Apply the material smooth surface layer, keep in mind
  • 01:07:42: upper layer the material dries so are building picture of tree bark at once for this place trowel throughout the plane on surface and see smoothly downwards and bottom to top avoid monotony and parallel lines at high surface work and portions of the joints between sites easily eliminated by the same movements in the same technology decorate the entire surface of the wall portion of portion
  • 01:08:13: without interruption if it is needed get certain colors that better to do it on professional equipment derufa color system e.g. if you wish get light independently use universal pigment from our example keep in mind that any color surface perceived differently than in the bank so helpful to make a test painted in a
  • 01:08:43: your light assess the results and only then start to finish wats relay pattern 27 the bark of a tree method of application imitating the bark similar to wood previous to patterning cortex the tree is not required any additional instruments other than we know trowel and spatulas with rounded edges Apply the material
  • 01:09:13: smooth surface layer, keep in mind upper layer the material dries therefore form picture of tree bark at once for this place trowel throughout the plane on surface and see smoothly downwards and bottom to top avoid monotony and parallel lines at high surface work and sites the joints between the sections easily eliminated the same movements This same technique
  • 01:09:45: We decorate all wall surface portion of portion without interruption as we already we talked itself invoice is not currently manufactures seems so for coloring and amplification effect surface decorate the front of this to remove from sharp surface protrusions via medium-grained sandpaper then purify Let us give her dust invoice
  • 01:10:16: natural to bark wood color for this we use the material candy mediterraneo which kolliruem with assistance universal pigment keep in mind that any color surface perceived differently than in the bank so helpful to make a test painted in a your light assess the results and only then start to finish Apply the paste midi tyranny foam a thin layer of sponge
  • 01:10:46: this unique I decorate conductive material simulating natural waxes it has the same properties watertight you flexibility and It works perfectly as a conservation material drying time two candy mediterraneo hours completely dry and capable load-bearing capacity and wet cleaning the coating becomes after 10 days riley cotton thanks
  • 01:11:19: the presence in it medium-grained marble chips as natural stone has high strength material can readily bear tangible mechanical the impact and serve you for many years sample number 28 relays wait a sandy bottom knock smoked wool creates surface close on your mind
  • 01:11:49: natural limestone in so relay wait a most for creating stories imitating sandy bottom first Apply to business a small section a uniform layer of its thickness is dependent height relief immediately We proceed to create pattern for this cleave trowel the entire plane to material layer then firmly pulls on his cell while she herself fully otlipnet from the film surface should be turned
  • 01:12:19: to avoid uniform Fingerprint is place where you plan locate decorative layer elements Rill it has to be much thicker than in our case it right lower sample angle after we shaped texture nailed all sharp surface projections damp sponge as decorative elements we we use sea seashells for consolidation
  • 01:12:49: decorative elements on no surface necessity use glue so as the material itself is able to keep its much safer the surface is ready to decoration through two hours ahead of this to remove from sharp surface using protrusions and medium grained sandpaper then purify Let us give her dust
  • 01:13:20: natural texture sand color for this kolliruem copper material pastille tyranny do it It can be as tinting machine and manually help universal Pigment be aware that any color surface perceived differently than in the bank so helpful to make a test painted in a your light assess the results and only then start to finish Apply in
  • 01:13:50: foam sponge circular motion carefully shading drying time two candy mediterraneo hours as you can see, we invoice received very reminiscent sandy seabed those places where put thick layer after drying, cracks after candy and filled dark color they betrayed the big picture realism
  • 01:14:21: this unusual like coating small piece wildlife worthy decorate any interior sample number 29 overflow the abstraction application technique very simple first applied material uniform bed immediately create drawing all plane trowel short
  • 01:14:51: multidirectional movements in the same technology decorate the entire surface of the wall portion of portion uninterrupted tide this polymer based on the composition acrylic resins and marble filler has excellent adhesion and resistance to wet abrasion relay wait ideal suitable for forming relief surfaces the surface is ready to
  • 01:15:33: decoration through two hours ago you already We talked itself invoice does not produce seems so for coloring and amplification effect surface decorate the front of this to remove from sharp surface protrusions via medium grained sandpaper then purify its dust Let us give the texture color
  • 01:16:04: for this use candy material mediterraneo which kolliruem using universal pigment set mediterraneo is not only giving colors, and underscores relief but additionally strengthens applied to the surface I put a thin a layer of foam sponge for more expressiveness remove the color on most projecting portions
  • 01:16:34: drying time two candy mediterraneo hours completely dry and capable load-bearing capacity and wet cleaning the coating becomes 10 days how could you make sure the method of application simple and accessible, even layperson coating obtained extremely durable and able to withstand tangible
  • 01:17:04: mechanical the impact of external it reminds sand naturally aged wall Sample 30 from the relay wait geometry take necessary the amount of material the rate of 1 kg per square meter kolliruem wait a relay nice looking shade if the resulting color you not satisfied with you always You can make it
  • 01:17:35: more crowded adding the composition is more pigment decorative plaster relay wait a intended for creation surfaces the original relief pattern material is made acrylic resins and marble wait a filler relay good imitation old plaster it is as cold and rough to the touch a
  • 01:18:11: application technique very simple at first Apply in evenly immediately create drawing all plane trowel short vertical and horizontal motion picture succeed inhomogeneous if you will avoid the right of equal largest squares for this turn the trowel alternately the wide narrow party The same technique
  • 01:18:45: We decorate all wall surface portion of portion without interruption knock the Queen
  • 01:19:27: is dry on two surface hours completely dry and capable load-bearing capacity and wet cleaning the coating becomes after 10 days this figure is look good in today interiors which replaced the round forms have come clear straight lines relay wait a sample of 31 straw for you
  • 01:19:59: need trowel from stainless steel with rounded edges Apply the plaster on surface area a thin uniform layer and immediately proceed to patterned pattern is formed rigid decorative brushed if desired a brush can be make independently and trowel and a grater rug for footwear stretch out tool vertical continuous strip
  • 01:20:29: try to keep parallel lines each other to joints places were not noticeable on large surface work and sites so turn apply a coat and patterned straw throughout surface Do not forget be periodically cleaned
  • 01:20:59: brush the surface is ready to decoration through two hours ahead of this to remove from
  • 01:21:31: sharp surface protrusions via medium-grained sandpaper then clean it from dust next stage color application for We recommend use candy midi tyranny give he needed shade tinting is possible on car or take advantage of universal pigment from our Example keep in mind that any color surface perceived differently
  • 01:22:01: than the bank so helpful to make a test painted in a your light assess the results and only then start to finish apply supplied sponge and longitudinal movements in relief candy repeats properties of natural wax it protects the coating from dust and moisture, and making relief expressive drying time
  • 01:22:42: two candy mediterraneo hours completely dry and capable load-bearing capacity the coating becomes after 10 days the relay wait a coverage has high strength it may be subjected significant load material environmentally friendly resistant to fading withstands frequent wet cleaning surface decorated In a similar way perfectly fit in any modern
  • 01:23:12: interior 32 sample relay wait a mix in this master class, we demonstrate creation technique the original multicolour relief surface using material knock Corelli wool for create this the sample does not require any additional instruments other than we know trowel and spatulas with rounded edges the first thing that you need to make split material into 2 equal
  • 01:23:42: parts each part tinted separately 1 beige Other colors tobacco shades should not be too saturated When will you be able to avoid much pretentious contrast proceed to application for this put on the edge of a trowel 2 small parts different material color then apply material on surface short arcuate subtle movements in this layer deposition technique
  • 01:24:12: can be used any quantity colors the main thing that the color harmony with one other before applying necessarily experiment on a free surface and
  • 01:24:55: knock the Queen is dry on two surface hours completely dry and capable load-bearing capacity and wet cleaning the coating becomes 10 days only thanks to this Technology applied to surface it turns smooth gradient transition from color to color drawing becomes volumetric air easy decorative
  • 01:25:28: material knock Kopilov a thin slightly rough to the touch coating to create small relief perfectly captures marks applied brush pattern 33c him vertical I application of the material It requires rigid Long brush pile the hardness of the brush It will depend on the height relief Penela represents a slurry so pattern is formed
  • 01:25:58: once the substrate do brush vertical undulated with little movement pressure and smudges drops are eliminated the same technique in order to drawing did not seem
  • 01:26:28: uniform crank brush on its axis causing the material the wide narrow part the surface is ready to decoration through to two hours to give color relief use decorative coated cool bromide tyranny first for kolliruem material selected color in our case pale green bear in mind that any color on a surface
  • 01:26:58: perceived differently than in the bank so helpful to make a test painted in a your light assess the results and only then start to finish we put put copper tyranny foam sponge on topography drying time
  • 01:27:37: candy bromide tyranny two o'clock completely dry and capable load-bearing capacity and wet cleaning the coating becomes 10 days like this applying the minimum the amount of effort we got rather simple but certainly the original sample Sample 34 Canelo red beige Knicks This master class
  • 01:28:09: we will show creation technique multicolour surface necessary the amount of material we divide into two parts one part of kolliruem beige other color in the shade red for drawing us It needs extensive brush and tough long pile First we put one color scattered arcuate masks without waiting
  • 01:28:39: drying inflict second color 1 partially overlapping in the same direction then as needed feather strokes Brush that is, mix colors between a hand movement should be light and short decorate the surface should be successively section by section in the same technique
  • 01:29:09: Penela will knock Dry surface two hours later completely dry and capable load-bearing capacity and wet cleaning the coating becomes in 10 days, we demonstrated techniques decoration surfaces smooth transitions colors we choose because the color data
  • 01:29:40: they are the most revealing for the understanding of technology mix your case Colors and shades can be any sample number 35 Penela roller application choose color kolliruem material weight keep in mind that any color surface perceived differently than in the bank so helpful to make a test painted in a your light assess the results and
  • 01:30:10: only then start to finish the material can be for call as proprietary installation derufa color system and for yourself We recommend take advantage of universal pigment as in our example submitted Equipment is good just enough I work in the application required cloth roller long pile material is applied thin layer so wall must be
  • 01:30:40: closely aligned and primed long light movements put for tinting material on surface forming uniform relief when decorating large surface wall, we recommend work successively sites the joints between the sections
  • 01:31:15: Eliminate evenly rolling material roller a Penela will knock Dry surface two hours later completely dry and capable load-bearing capacity
  • 01:31:45: and wet cleaning the coating becomes 10 days despite the seeming the fragility of you to us very sound proof to external effects material so it for use as a and so for the interior exterior trim 36 sample Penela lilac mix in this master class, we demonstrate creation technique multicolour
  • 01:32:15: surface must the amount of material we divide into two parts one part of kolliruem lilac another leave no tint your the case of the holy shades can be any we selected data color because they most indicative of understanding of technology mixer for applying we need broad brush hard and long pile First we put one color scattered
  • 01:32:45: vertical strokes without waiting drying inflict a second color in our case tinted material partially 1 overlapping in the same direction then you need shade brush strokes that is, to mix colors between a movement Brush must be light decorate the surface should be
  • 01:33:15: successively portion of portion and the sound of it is material acrylic are based on to build on the wall small relief his main feature is that it allows capture trace tools relief It does not shrink and does not spreads to completely dry Penela will knock
  • 01:33:50: Dry surface two hours later completely dry and capable load-bearing capacity and wet cleaning the coating becomes after 10 days combination of different colors with properties material allow bring many design solutions if you want to achieve color harmony in interior and if I have to agree color the walls with interior elements with the color of the floor or ceiling sample 37 Penela
  • 01:34:32: patterns in the master class, we demonstrate how create a surface finely embossed picture material apply a thin however wall layer you need to carefully lined primed for application to us It needs dry broad brush hard bristles The displayed equipment for both decorating the entire surface and so to creating patterns on a separate site You can
  • 01:35:15: use this pattern or create its form circles waves of direct or multidirectional lines the surface is ready to decoration through to two hours to give color relief use decorative coated pastille midi tyranny material you can call a as firm Fitting derufa color system and independently for that we we recommend take advantage of universal pigment as in our Example keep in mind
  • 01:35:45: that any color surface perceived differently than in the bank so helpful to make a test painted in a your light assess the results and only then start to finish Apply the paste bromide tyranny foam sponge in relief drying time
  • 01:36:22: candy bromide tyranny two o'clock completely dry and capable load-bearing capacity and wet cleaning the coating becomes after 10 days this technique creation decorative pattern is useful for individual registration interior elements refer to the curb framing sample number 38 Penela rhythmic
  • 01:36:53: drawing data way we complete a series of master-classes using material mortar you applying it to we need broad brush long hard pile material is applied thin layer so wall must be carefully leveled and primed this is of the liquid mass itself thus drawing is formed immediately upon application and do brush movement crosswise with
  • 01:37:23: slight pressure drips and drops are eliminated in the same technology can knock Penela applied without particular restrictions on any mineral grounds except lime plasters surface colored oil alkyd or silicate paint the surface is ready to
  • 01:37:54: decoration through to two hours to give color relief use decorative coated pastille MFA tyranny first for kolliruem material selected color in our case lilac keep in mind that any color surface perceived differently than the bank so helpful to make a test release into the environment your light assess the results and only then start to finish we put on the arrows
  • 01:38:30: Yes Tirana relief surface with a sponge and carefully shade for these purposes, suitable brush soft pile a drying time I put bromide tyranny two o'clock completely dry and capable load-bearing capacity and wet cleaning
  • 01:39:00: the coating becomes 10 days as a result of obtained surface rhythmic volume picture how could you ensure knocking Penela material for creativity incarnation the original creative ideas and it's just relief decorative based material acrylic resins large marble filler
  • 01:39:30: its counterpart in the the domestic market was named pitted because of the similarity relief obtained with the surface of the wood and eaten bark beetles new for us You need a spatula and grater with large plane inflict material on surface not evenly more than two millimeters take into account that work with material needs specific skills so if the material a stranger to advise previously
  • 01:40:01: practice or refer to professionals just a sample of 39 pitted after 30 minutes
  • 01:40:32: after not complete drying, we begin creating put the figure the entire tool the plane on surface patterning small circles movements stones contained in material rolls over float leaves behind a groove occasionally wet and surface the tool immediately after forming
  • 01:41:02: wet drawing sponge slightly nailed all sharp projections surfaces when work must be thoroughly wash tool since material residues after drying in very hard to remove the surface is ready to decoration through to two hours to this we use the material candy mediterraneo who made the call with assistance universal pigment bromide pastille tyranny is not
  • 01:41:32: only giving color and underlining relief but additionally strengthens surface we put put thin layer foam sponge for more expressiveness remove the color on most protruding portions drying time
  • 01:42:04: candy bromide tyranny two o'clock completely dry and capable load-bearing capacity and wet cleaning the coating becomes in 10 days drawing not by chance got its name is not it? the resulting the surface is very reminiscent of wood eaten beetle bark beetle used here picture was prompted nature itself just a sample of 40
  • 01:42:34: geometry In this master class we will show how create drawing consisting of horizontal and vertical lines application technique material on surface identical shown in previous story after 30 minutes no completely dry We base layer begin creating put the figure the entire tool plane surface patterning short movements grater from left to right from top to bottom stones contained in
  • 01:43:04: material roll by float and leaves behind a groove occasionally dampen surface tool right after patterning slightly damp sponge nailed all sharp surface projections after work must be carefully Wash tool so as the remnants of the material after drying very hard to remove the surface is ready to
  • 01:43:34: decoration through to two hours to this we use the material candy mediterranean who made the call with assistance universal pigment bromide pastille tyranny is not only giving color and underlining relief but additionally strengthens applied to the surface I put a thin a layer of foam sponge for more
  • 01:44:13: expressiveness remove the color on most projecting portions drying time candy bromide tyranny two o'clock completely dry and capable load-bearing capacity and wet cleaning the coating becomes 10 days just very durable material and often is used for facades large corridors halls sample number 41
  • 01:44:50: just a white rain because machinery coating material on the surface We immediately changed proceed to step picture Taken put the tool the entire plane on surface and vertical movements roll out chips marble pebbles rolls over float leaves after myself vertical furrow after work
  • 01:45:22: must be carefully Wash tool so as the remnants of the material after drying very hard to remove the surface is ready to decoration through to two hours to this using material candy midi tyranny which kolliruem with assistance universal Pigment be aware that any color surface perceived differently than the bank so helpful to make a test paint under your lighting evaluate result and only then proceed to decoration
  • 01:45:52: Apply the material surface with a sponge lightly on direction grooves feature of this way decoration in we paint the Once the surface is not preventing leaking paint in the recesses drying time candy bromide tyranny two o'clock completely able to dry load-bearing capacity and wet cleaning the coating becomes
  • 01:46:22: 10 days as a result of it turns drawing reminiscent a bunch of roll down glass rain drops 42 just a sample woodworm in this master class, we We show as one only changes relief saturation significant changes perception surface work already known to us
  • 01:46:53: creating technology picture bark beetle patterning small circles movements only this time create more grooves then also decorate surface for tinted material candy doctors previously and now we can
  • 01:47:27: compare these surface this method application makes you unique pattern the surface of the wood and eaten beetle he would bark beetle It goes well with wooden furniture other elements interior Against this background, will cover sumptuously look room plants and elements decorative jewelry pastille see earlier
  • 01:48:02: decorative translucent based material wax emulsion reinforced acrylic polymer coating repeats properties natural wax it protects the surface from dust and moisture that material attached the effect of old painting with uneven color distribution also on the surface coating gives the expression relief surfaces created such materials such as Marburg Shtukar or cattail wool just th ron Samples 43 and 44 pastille
  • 01:48:32: midi tyranny mat in this master class, we show equipment patterning simulating rough tissue, and as a tools we You will need a brush and decorative brush with large hard pile if desired to make such a brush you can own and trowel and grater rug for footwear beginning of kolliruem material selected We have color in mind that any color on a surface
  • 01:49:02: perceived differently than the bank so helpful to make a test painted in a your light assess the results and only then start to finish focus set midi tyranny quickly dries so work areas no more than one square meter Apply in evenly with brush as the material thin liquid layer wall must be perfectly aligned primed a immediately after application
  • 01:49:32: patterning brush hold tool from the edge and up to the edge portion leaving straight horizontal lines lines should be continuous because places will joints visible as land by section decorate a first layer on the entire surface take into account that work with pictures in the art picture Taken matting needs specific skills so if the material a stranger to advise previously practice or refer to skilled second
  • 01:50:02: layer is applied to a dried two 1 hours the sequence of actions as he is your goal ensure strict perpendicular to intersection longitudinal and transverse lines only image will remind texture of coarse cloth
  • 01:50:32: mats or burlap during the entire drying surface two o'clock completely dry and capable load-bearing capacity and wet cleaning the coating becomes after 10 days this way we We finish the series
  • 01:51:03: lessons on drawing decorative materials for purchase of goods and more consultation please listed on the disc cover